A Quote by Talib Kweli

I support the idea that artists have to make a stand. I'm with that - you're putting the discussion on the table and you're letting people know. You're being brave as an artist and responsible to the community.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
I come from the school of being (stereotyped) since I was five years old. And I know that I should not be putting my personal issues on the table or letting them effect my work.
Being an artist, being an actor, it's about telling stories that could heal, that could open up discussion that could make the community better.
Artists aren't necessarily business people. And they aren't necessarily aware of all the things that go on in their names. Some just want to make some music, but there is a lot of greed among artists as well. Whether or not we know it, we are all to blame. I think it's time - starting with the artist - to try to be a little more responsible and aware of what goes on in our name.
The artists who have inspired me the most in my life are the ones who have really had something to say and stand up for. That, to me, is part of being an artist-having the voice to express things that need to be verbalized and brought to light. Unfortunately, I don't think that's a priority for people, because the few artists who do have the nerve to take a stand for what they believe get shut down in a way.
We know the parental support, community support, makes a difference. It's not just the metrics of testing and putting pressure on the schools and on the teachers.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
'Brave' is very specific and extremely personal. It can't be judged by people on the outside. Just can't. Sometimes brave means letting everyone else think you're a coward. Sometimes brave is letting everyone else down but yourself.
Being an artist doesn't just mean you have a song. That doesn't make you an artist. The word 'artist' means so many different things, and I feel like to be a real one, you really have to do it all. The people that I think of as artists - Tyler the Creator, Childish Gambino, Kanye West - are doing the most.
I suppose the good artists, the righteous artists, somehow manage to be exuberant, and the embarrassed artist has this idea that everybody has to stop being so excited, which I find so distasteful.
The Occupy Wall Street movement, in general, by putting this idea out there that the one percent is leeching off the 99 percent, is making a new discussion, making people figure out how to withhold their labor and come and put their issues on the table with the ruling class all over the country and all over the world.
A lot of artists are involved with fabrication. Artists today are making more objects and many of them need the participation of a dealer in order to facilitate and provide support for projects. So that has changed. But I don't know if what it means to be an artist has really changed. I hope that it hasn't.
If you're going to be a visual artist, then there has to be something in the work that accounts for the possibility of the invisible, the opposite of the visual experience. That's why it's not like a table or a car or something. I think that that might even be hard for people because most of our visual experiences are of tables. It has no business being anything else but a table. But a painting or a sculpture really exists somewhere between itself, what it is, and what it is not-you know, the very thing. And how the artist engineers or manages that is the question.
I didn't want people to know that I was an artist. I was ashamed. I thought artists were weird, crazy people, you know. So I always kind of hid the fact that I was an artist.
I like the idea of putting your Christmas wish list up and letting people share it.
An artist cannot be responsible for what people make of their art. An audience loathe giving up preconceived images of an artist.
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