A Quote by Talib Kweli
As far as being on a major label, some labels get it and get what they have to do, and some labels don't. I don't think the label I'm on necessarily gets it, but I think over time they're gonna have to.
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I think labels for the most part want to sign new discoveries so that that label alone is seen to be responsible for the rise of the artist. Not many labels want bands who have already made their mark, because their success is usually attributed to some other label somewhere else at another time.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major.
A Name Is A Label, And As Soon As There Is A Label, The Ideas Disappear And Out Comes Label-Worship And Label-Bashing, And Instead Of Living By A Theme Of Ideas, People Begin Dying For Labels... And The Last Thing The World Needs Is Another Religion.
If people have to put labels on me, I'd prefer the first label to be human being, the second label to be pacifist, and the third to be folk singer.
I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
If anything, I'm the most hesitant to bring on a label. That terrifies me. I think people believe major labels are linked to success. They're absolutely not that.
I like the labels because I think they tell my story in a very concise way: gay, Latino. I think the responsibility that comes with accepting labels is that now I get a chance to break stereotypes. It gives me the opportunity to tell the unique stories of what those labels mean.
I'm a free agent. I want the major-label budget for my next album, but I'm too big for the label to pay me. I don't want to be controlled, to be watered-down. Labels were always asking me to do this or do that, saying that I was lacking something. And every time, I did it the next year. Singles? Radio spins? I showed 'em.
Labels can be really helpful when we have the autonomy to label ourselves. But when other people label us without our permission, that's when it becomes dangerous.
I don't like labels necessarily because a label doesn't mean very much. But when it comes to being conservative, I happen to be conservative.
I think anyone who's willing to be brutally honest with who they are and express themselves is always going to get the oddball label, the pyscho label, the twisted label. That's what happens.
People lost the capacity of using their brain. It's all about the label. Not about the labels showing but subtlety of the labels.
I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.
What? 'Borderline patients play games'? That what you said? Ernest, you'll never be a real therapist if you think like that. That's exactly what I meant earlier when I talked about the dangers of diagnosis. There are borderlines and there are borderlines. Labels do violence to people. You can't treat the label; you have to treat the person behind the label. (17)
Nobody from my label called any of their labels to get this done. Most of it happened very naturally. Mary and I have been friends for a long time. Then Jay-Z offered.
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