A Quote by Talib Kweli

Well if somebody's giving me a script, I'll consider it. But it's not something I'm chasing. — © Talib Kweli
Well if somebody's giving me a script, I'll consider it. But it's not something I'm chasing.
I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
If I feel like it's a well-written script and if it speaks to me, it's something I want to do. I usually rely on my instincts when it comes to a script.
When I get my script in hand, I make it a point to completely know my script well. It is something that comes automatically to me. That is my basic homework.
I took the role because it's rare to read a script that makes me laugh and cry, and it spoke to my own religious feelings, as well as giving me a chance to draw on my experience as a parent. Accepting it was a no-brainer.
When I woke up later, I had established all these businesses and we were growing and everything was going well and I was miserable because I was chasing money and not happiness. I decided that day in August that I would quit chasing money and start chasing passion and allow the money to grow around me...I wanted to have passion in my life to show my girls to live by passion.
You can laugh at somebody because they are innocent, and because they are naive or they are about to walk into a wall, but if somebody's giving you stuff, if somebody's talking, giving you their take on things, what makes you laugh, generally speaking, is going to be somebody who is telling it in an angry way.
The script is the most important thing for me. I'm advised that other things are important too, and they are. The director that you'll be working with is hugely important, and the cast that are with you is really important as well. But, for me, the thing that gets my heart excited and really makes me invested in something or not is just the quality of the script.
For me, triathlons were something that was down to me and my fitness. Now, I really enjoy the pain in the triathlon of chasing someone down. It's a bit like chasing down Nico Rosberg in the last few laps at Silverstone - it makes you feel alive.
I think that at a certain stage those early ambitions burn away, partly because you achieve something, you get something done, you get some notoriety. And then the particularities of who you are and what your deepest commitments are begin expressing themselves. You're not just chasing the idea of "me" being important, but you, rather, are chasing a particular passion.
Unfortunately, we don't have a depth of African scriptwriters, so it's easier to Africanize something that already works. Local script writers are giving me James Bond budget scenes that I can't even produce.
I can't think of a bigger waste of police time than chasing somebody who has said something offensive on Twitter.
If he's chasing the full restoration of his legacy, he's chasing something that he really can't get.
For me, it's always the script. The script which gives me the chance to do something new; that has been my prime objective ever since I started acting. There's nothing else that excites me more than that.
If theres something really, really bothering me about a script, then Ill say something, but otherwise I find my answers in the script.
If there's something really, really bothering me about a script, then I'll say something, but otherwise I find my answers in the script.
My failures were something for me - my first contact with professional football. Though it didn't go all that well, it's not a regret, it's just like that. But looking back, those failures helped me consider football differently, consider the professional game differently.
This site uses cookies to ensure you get the best experience. More info...
Got it!