A Quote by Talib Kweli
Young kids should be doing music that has shock value. They'll grow out of it.
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Music spoke to me when I was young in such an intimate, empowering, magical way, and I think that music is already doing that for young queer kids.
In the beginning, the punk scene was so full of promise. All the bands were different, and all the sounds were different. The common denominator was that it was all very young kids doing it, and doing it on their terms. But then it became, 'You should listen to this and you should wear this uniform, and you shouldn't do this or that.' It was supposed to be about not having rules, but every generation of music gets watered down.
If I was a young director starting off, there's so many tools at your disposal now to do things relatively inexpensively that it's a great time to learn your chops and do some cool music videos. If I started all over again, I'd still be doing music videos, I'd just be doing them very differently. It's very difficult for me to do them now, but for young kids out there that love music and want to tackle a different art form - and I do think music video is an art form - that's a very cool thing to do.
That's what you strive for - you strive to take your move to the next level. It's about shock value, always shock value, but keeping it flavor and stylized and making it yours.
For me, when I was a kid, volunteering was the last thing I was thinking about. When I see kids doing it now, it amazes me. It's very impressive, it gives them something productive to do as opposed to getting in trouble. For them to take time out at such a young age is remarkable. I think all kids should take a little time out to volunteer.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
With 3D, all you're doing is trying to shock the audience; there's no value to the storytelling.
I see a lot of women who can't travel when they're young, and then their kids grow up and they become amazing adventurers. Travel is not only for the young. Sometimes it's wasted on the young.
If my musical tastes are continuing to grow up, and I am not really too interested in the music that my kids listen to, then I assume that the audience is doing the same.
An artist should know art history. Shock value only lasts so long.
Music is changing. I'm just doing what I'm doing, and hopefully in the next 20, 30 years, some kids can take what I'm doing and change it again. If the music doesn't move, then it's dead.
The young kids out there doing their thing, I can't knock them.
The NBA is a culture shock for college kids, and even more so for kids from another country. The NBA is a unique environment, so there is going to be transition for any young kid, but I think coming from another country and culture is even harder. It does take a special toughness and confidence to deal with that, especially since a lot of times you don't play a lot as a young player.
I see everybody arguing about what the value of music should be instead of what I think the bigger conversation is, which is that music has value, it's subjective and we're moving to a new era where the audience is taking more responsibility for supporting artists at whatever level.
Trouble is, kids feel they have to shock their elders and each generation grows up into something harder to shock.
The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
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