A Quote by Talib Kweli
I met Mos Def around that time but I didn't hook up with him until I was about 17 or 18.
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Look at music: I've always loved hiphop and rap, and now there's this whole progressive movement, with De La Soul and Mos Def, Common. It's some of the best stuff around.
I might ask about the first time a person heard a song that they really responded to, like when I asked Mos Def when he first "got" hip-hop and he went into this memory about how hearing someone rap really affected him. He wasn't simply remembering the event. It was almost like he was occupying that space again. When you can really transport an interview subject like that, your readers can feel it and it helps them to connect with the artist.
I met my first dance partner when I was about 17 or 18 and we were married by the time we were 18 or 19, I don't remember the exact date, and everything was dance, dance, dance. Then there came just a short space of time where I was wondering whether I was missing out on anything. Back then when you danced, everybody married their dance partner.
I'm retiring the Mos Def name after 2011. I'm actually doing it.
I think around that time I met David [Gordon Green] or, well, we all met at Superbad and Judd [Apatow] said, 'I'm thinking about having him direct [ Knocked Up].' Sounded like a good idea.
It wasn't until I was about 17 or 18 years old that I got into music.
It wasn't until I was about 17 or 18 years old that I got into music
My dad was pretty strict. We didn't even get to watch any of his movies until I was, like, 17 years old. I didn't even see his stand-up, really, until I started doing stand-up, and that was when I was 22. So he's pretty strict. We had curfews until I was 17... he didn't play around.
So I think hip-hop is moving and is going to continue to move in the direction of rappers just being honest with themselves, whether you're talking about Common and Mos Def or Nas and 50 cent.
Mos Def is one of the most creative, intelligent human beings I've had the opportunity to work with. He is fun. The entire time, he would go in and out of different characters, just for the fun of it. Awesome energy.
I also met Charles McPherson around that time, end of high school. I was 17 and I had followed Phil around for a year and pestered him enough to finally give me saxophone lessons. So all of a sudden I've got Phil Woods and Charles McPherson around me.
When I was about 17 or 18, I would go through my boy's garage and they had a little studio set up. I would just play around there.
The depressing thing about an Englishman's traditional love of animals is the dishonesty thereof ... Get a barbed hook into the upper lip of a salmon, drag him endlessly around the water until he loses his strength, pull him to the bank, hit him on the head with a stone, and you may well become fisherman of the year. Shoot.the salmon and you'll never be asked again.
Dr. Dre, my oldest brother, he paved the way for me and Snoop to get a chance to get into the studio. I asked him to show me how to work the MPC-60... I was about maybe 17, 18, right around there.
Mos Def is a name that I built and cultivated over the years it's a name that the streets taught me a figure of speech that was given to me by the culture and by my environment and I feel I've done quite a bit with that name and it's time to expand and move on.
Mos Def is a name that I built and cultivated over the years, it's a name that the streets taught me, a figure of speech that was given to me by the culture and by my environment, and I feel I've done quite a bit with that name. [But] it's time to expand and move on.
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