A Quote by Talib Kweli

I'm not an artist that has a big, huge radio record that's going to be on BET. — © Talib Kweli
I'm not an artist that has a big, huge radio record that's going to be on BET.
I'm not an artist that has a big, huge radio record that's going to be on BET. I'm not, at this point, gunning for like, "Oh, I'm gonna kill them in the first week." But as people slowly discover the album they realize it's better than a lot of what they've been listening to all year.
I was a grunt, walking around in the jungle of Vietnam, trying not to find the enemy. Because I am so big, they were going to give me either a heavy radio or a huge machine gun to carry. I carried a radio.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
We had huge success at first - really, really big. You could not turn on AM radio and not hear 'Every Time I Think of You.' And you couldn't turn on FM radio and not hear 'Head First.' And they were both on the same record.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
Here's the tragedy of the modern record business: It's radio. If you're not on radio, nobody really is going to hear you or see you or care about you.
There is nothing wrong with a big bet, if a big bet is a good bet.
Boxing has a problem - a big one. Think of it as a monster that's hiding under the bed. Eventually, the monster is going to come out and take a big chunk out of the sport. Fighters, trainers, managers, promoters, even government regulators can legally bet on fights. They can also bet on fights they're involved with.
Frankly, I would never ask a supporter to bet big on me if I wouldn't bet big on myself. It wouldn't be fair.
I remember when we were mixing our record and our manager was in there going, 'You guys need to sing more, so it can be on the radio.' And we were like 'What? We're never going to get played on the radio. Who cares? What are you talking about?'
I don't think any other hip-hop artist has achieved what I've achieved or the numbers I've sold without commercial radio. MTV and BET have never supported me.
I've got my girl records that are real feel-good and could be a radio crossover. But it's not me going in that direction, and being like, "We need this huge pop crossover record where we need this girl on the hook."
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
I want to be thankful for all of the things that I've been blessed with, and I've had a great run. I have a huge fan base, and I'm still able to work a lot. I don't know if I'll ever have another big impact record on commercial radio again, but you know, everybody's gonna have to face the reality that their day's gonna come to an end, too.
Obviously, what happened from the 'Immortalized' record was we achieved a level of success that, to be perfectly honest, was unpredecented in our career. Every track released from that record ended up going No. 1 at radio.
If you are the record label who owns Lady Gaga, and you have a new artist coming up, you can say, 'Let's have the artist play just before Gaga.' Now you've exposed the huge Gaga audience to the new artist. It's similar to showing a trailer before a movie. The hit creates a hit.
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