A Quote by Tallulah Bankhead

I've tried several varieties of sex. The conventional position makes me claustrophobic, and the others either give me a stiff neck or lockjaw. — © Tallulah Bankhead
I've tried several varieties of sex. The conventional position makes me claustrophobic, and the others either give me a stiff neck or lockjaw.
Going down on a woman gives me a stiff neck, going down on a man gives me lockjaw and conventional sex gives me claustrophobia.
I've developed a stiff neck that's about to drive me insane.
I like sex writing that makes me think, makes me cringe, makes me angry, makes me look at it in a new way.
My father made me who I am. He gave me a basketball and told me to play with the ball, sleep with the ball, dream with the ball. Just don't take it to school. I used it as a pillow, and it never gave me a stiff neck.
I'm claustrophobic. I can't go into haunted houses. They have these tight, dark, enclosed space. I freak out. That's my phobia. It gets me out of stuff. Someone asks me to do something and I tell them I can't because I'm claustrophobic.
I have tried... believe me, I have tried to like rap music. It makes me feel so very, very old. I have tried to get home with the downies.
The Kennedys tried to avoid using the big U-shaped table, but when they couldn't, they had several tricks - including keeping the flowers simple - to keep it from appearing overly stiff and formal.
In high school, I had to hide my comic book side, my nerd side from the civilian world so they wouldn't categorize me. They would try to marginalize me for what I like. I tried to give it up, believe me. I tried to kick the habit. But there's too much I liked about it to give it up completely.
My father tried to give me the sex talk once, and he chickened out. He walked into my room and went, 'Adam - uh, don't kiss guys.'
For whatever reason, God has blessed me with the ability, put me in a position to make these leaps and bounds. I'm fulfilling my part of the bargain, which is to give back and be a positive influence on others.
So when somebody asks me to make a decision about a situation, I don't offer a solution, I ask a question: What are our options? Give me the good, give me the bad, give me the pretty, give me the ugly, give me the impossible, give me the possible, give me the convenient, give me the inconvenient. Give me the options. All I want are options. And once I have all the options before me, then I comfortably and confidently make my decision.
For me, the most comforting thing is that the team management thinks I am comfortable in any position I am assigned. They trust me so much and if they give me responsibility of batting in a particular position I also respond positively to it.
When my films don't work it's usually because I tried some very experimental idea. I tried new ideas and they just didn't work, as opposed to trying to do something conventional and having it be so conventional nobody wanted to see it.
Give me love Give me love Give me peace on earth Give me light Give me life Keep me free from birth Give me hope Help me cope, with this heavy load Trying to, touch and reach you with, heart and soul
We have to find a way of understanding how one category of sex can be "assigned" from both and another sense of sex can lead us to resist and reject that sex assignment. How do we understand that second sense of sex? It is not the same as the first - it is not an assignment that others give us. But maybe it is an assignment we give ourselves? If so, do we not need a world of others, linguistic practices, social institutions, and political imaginaries in order to move forward to claim precisely those categories we require, and to reject those that work against us?
I tried to reach the combatants with my music. I tried to turn my anger into something positive. Myself, and others like me, just tried to keep rock and roll alive.
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