A Quote by Tallulah Bankhead

It's one of the tragic ironies of the theatre that only one man in it can count on steady work - the night watchman. — © Tallulah Bankhead
It's one of the tragic ironies of the theatre that only one man in it can count on steady work - the night watchman.
In Fascism the State is not a night-watchman, only occupied with the personal safety of the citizens.
I used to work in a hotel kitchen at night and do theatre in the morning. After finishing my night shift - I did it for two years - I used to come back and sleep for five hours and then do theatre from 2-7 P.M. and then again hotel work from 11-7 in the morning.
Take courage and work on. Patience and steady work - this is the only way. Go on; remember - patience and purity and courage and steady work. . . . So long as you are pure, and true to your principles, you will never fail.
Not everything that counts can be counted. You can count sales. You can count fans and followers. You can count pins and tweets. But you can't count passion. You can't count commitment. You can't count engagement. You can't count relationships.
More and more I am certain that the only difference between man and animals is that men can count and animals cannot and if they count they mostly do count money.
For many years I have been a night watchman of the Milky Way galaxy.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
I try very hard to be fair, and I look for ironies. In a way, I live on ironies as a novelist.
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
The passing of an ordinary man is sad. The passing of a great man is tragic, and doubly tragic when the greatness passes before the man does.
Opportunity knocks at every man's door once. On some men's door it hammers till it breaks down the door and then it goes in and wakes him up if he's asleep, and ever afterward it works for him as a night watchman.
I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
And now each night, I count the stars. And each night I get the same number. And when the stars won't come to be counted, I count the holes they leave.
The fool sees naught but folly; and the madman only madness. Yesterday I asked a foolish man to count the fools among us. He laughed and said, "This is too hard a thing to do, and it will take too long. Were it not better to count only the wise?"
George Eliot is my only steady girlfriend. We go to bed together every night.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
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