A Quote by Tama Janowitz

Brownstein's is a fresh and jaunty voice, with a jazz snap all his own. — © Tama Janowitz
Brownstein's is a fresh and jaunty voice, with a jazz snap all his own.
See you in the funny papers," he said. Jaunty, he reminded himself; always jaunty. In my panache is their hope for salvation.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
Sometimes he caught himself listening to the sound of his own voice. He thought that in her eyes he would ascent to an angelical stature; and, as he attached the fervent nature of his companion more and more closely to him, he heard the strange impersonal voice which he recognised as his own, insisting on the soul's incurable lonliness. We cannot give ourselves, it said: we are our own.
Lars Ulrich is not a jazz drummer, but he grew up listening to jazz. Why? Because his father, Torben - an incredible tennis player - loved jazz. Jazz musicians used to stay at their house.
Improvisation was the blood and bone of jazz, and in the classic, New Orleans jazz it was collective improvisation in which each performer, seemingly going his own melodic way, played in harmony, dissonance, or counterpoint with the improvisations of his colleagues. Quite unlike ragtime, which was written down in many cases by its composers and could be repeated note for note (if not expression for expression) by others, jazz was a performer's not a composer's art.
I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
The jazz guitarist Peter Sprague calls his home recording studio SpragueLand, but sometimes it seems that the moniker better captures the way he has turned the entire southland into his own musical playground. Sprague is a highly versatile musician who draws on the wellsprings of jazz and Brazilian music as primary influences.
I don't own a radio. I listen to everything through apps or on my iPhone. And then I download the shows I like. Shows like 'Fresh Air', 'Radiolab', 'Snap Judgement', all those shows.
His own voice was older than he was. Ancient, unearthed from some mystical subterranean place...The voice seemed to make his whole body ache. Maybe it made him bleed inside. I wondered if it hurt, if it burned in his throat.
This is what really makes real jazz musicians: people coming out with their own voice.
Angelo is a brilliant jazz talent. His receptivity, seriousness, his ability to execute ideas simple or complex, combined with his love and feel for the substance of jazz reveal why he is an exceptional artist.
Western classical music had long known syncopation. But no one had felt compelled to snap his fingers to music before American jazz and musical theater, which sent a previously undiscovered current coursing through the body, demanding outlet.
But those two plays left me on fresh terms with language. I didn't always have to speak in my own voice.
Jazz is a music that really allows a person to express his deepest self, his most personal self - Africa being the primary source of jazz. Naturally, improvisation and swing are a part of jazz, improvisation being the key.
I knew that I could sing when I was young. I would listen to a lot of jazz; I'm a big jazz fan. When I first got to high school and studied musical theater, I could sing. But I added certain things to my voice, and I realized after graduating high school that this is the kind of voice I had. It's not very nimble, but it's heavy.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
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