A Quote by Tamannaah

Audiences want to watch good films, even if it is dubbed in another language. — © Tamannaah
Audiences want to watch good films, even if it is dubbed in another language.
What's very important for me is that I want family audiences - all kinds of audiences - to watch my films, and the more people who watch the movies, the better. So I want to be part of popular cinema.
Audiences want to watch heroine-oriented films, and even writers are writing scripts for women. I am very happy to see this change.
People don't wish to watch masala films of the '50s any more. Audiences do not want loud films at all. They are watching Netflix and Amazon that have fresh ideas.
I don't even watch many huge films. I don't go to the cinema every weekend. I watch selective cinema and want to make my kind of films.
That's realism: a fact that if the audiences don't move out and watch good films at the theatre, people will stop making them.
Bhojpuri cine fans watch good films. They watch Salman Khan's entertainers and can also watch 'Tanu Weds Manu' type of films too.
When I studied with Nicholas Ray he was always telling us, "If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking." So I thought, perfect! That's a good job for me.
I so want to be able to speak another language. I love the way my friends who are half Italian and half English break from one language into another without even pausing.
Today, they make films where you have to sit for an hour and a half and watch somebody in the process of dying and, for me, that's rather depressing. Films, in the good old days of the golden age of Hollywood, used to want to inspire people and give them uplift. You're paying good money to see a film, and you don't want to leave depressed!
When people watch good films they want other films to be of that calibre as well particularly when you cater to the same core audience.
In the olden days films used to become huge hits because of family audiences. But nowadays certain films cater to youth audience and once that is exploited then the film stops. and some films are for a mature audience. My aim is to satisfy all the sections of the audiences.
The films I like to watch are when they make it relatable to human audiences.
I want to do good films, with good content. I am not selecting projects based on language.
I can see that 'Switched at Birth' is attracting audiences because of the diversity and the American Sign Language as well. American Sign Language is such a beautiful language, and people want more of that.
I do want to say things in these films. I want audiences to come out with shards stuck in them. I don't care if people love my films or walk out, as long as they have a strong response.
As much as I very much want audiences to watch FX's carefully curated and highly contextualized television shows, I'm now glad when anyone takes the time to watch even our competition's television series, as long as it demands their sustained attention and challenges their knee-jerk perceptions.
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