A Quote by Tamannaah

The world is small, and the film industry is even smaller. So, if someone does something wrong, you really can't hide it, and if it's good work, it also can't remain hidden.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there. So you do have to be resourceful and be able to flex your muscles artistically.
In the film industry you never really know if all the various ingredients will come together - sometimes they do, and sometimes they don't. As an actor, you don't have much control over those things. It's a director's medium in that sense. All you can really do is minimise the risks of being involved in something that might not work and look for something that also suits you.
You've got a huge American population, you've got a small, small, small subset that is radicalized, and you have an even smaller subset that actually takes action. And you can't cover everyone who has some contact, someone bad. What you need is offense overseas, defense at home with intelligence and law enforcement, and really deep engagement with these communities.
I am not really attached to my films and work. The film industry is just a small part of my life.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
What I would say to anyone who wants to be a model is, have something else. This shouldn't be your be-all and end-all in life: there are so many other amazing things to be done in the world. I also think that the industry really celebrates a woman who does something else. So keep at it, but always have something else.
If you work hard at anything, you're going to experience some success. And the greatest gift is when you have something you really love to do and you can integrate that into your work life. I feel like it's a real privilege that I get to do something that is good for my community and good for the world. But it's also pleasurable for me.
My contacts with the film industry can be described in very simple terms: The industry does not really need me, and I do not really need the industry.
Big Government is the small option: it's the guarantee of smaller freedom, smaller homes, smaller cars, smaller opportunities, smaller lives.
If a nonnegative quantity was so small that it is smaller than any given one, then it certainly could not be anything but zero. To those who ask what the infinitely small quantity in mathematics is, we answer that it is actually zero. Hence there are not so many mysteries hidden in this concept as they are usually believed to be. These supposed mysteries have rendered the calculus of the infinitely small quite suspect to many people. Those doubts that remain we shall thoroughly remove in the following pages, where we shall explain this calculus.
If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
It's a very good thing for students also to be exposed to people who aren't film students or film scholars but who work in the world of film.
If somebody does something wrong to someone around me, I can be firm. But that's always to protect someone to whom wrong is being done to.
I have always worked consistently, even in small ways and even in smaller theaters where I'll do One Acts or something.
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