A Quote by Tamar Braxton

I've tried singing like somebody else, and it never worked for me. The only thing that has ever worked for me was me being me, so either you love it or not. — © Tamar Braxton
I've tried singing like somebody else, and it never worked for me. The only thing that has ever worked for me was me being me, so either you love it or not.
You can ask anybody who's ever worked for me or worked with me, who's ever served with me, when I tell you I'm going to try to do something, I will get up every single day and work my heart out for you.
What singing means to me, I never did consider myself a singer, I just let people watch me feel music and how it comes through me. I've worked on it and practiced a lot. I mean, music, I dance to it, and singing is just one way of getting it out of me.
When I worked with Bill Nighy on 'Wrath of the Titans,' he said to me, 'There's one thing you can promise me, and that's never, ever, ever read your reviews.'
This girl wanted me to experience something I'd never experienced. She tried three times to get me high. Finally it worked, and I had the most incredible sex I'd ever had.
For me, that's the biggest thing, if something holds me back it's my mental game so I really tried to focus on that and just worked on that.
And you still love Marc?" "More than I can even explain. He's my rock—strong and steady, and ready for anything. He knows what I need before I know it, and he pushes me to work harder, and look deeper, and be better. He challenges me, and infuriates me, and he lights me on fire, deep in my soul. And he has never, ever let me down. Sometimes it feels like he's the only thing keeping my heart beating. I love him so much that it feels like I'm dying a little bit every day that he won't smile at me. Or touch me.
I don't think I've ever tried to be something that I'm not. People do that for you. People try to pigeonhole you. People tried typecasting me, before they even saw me in anything else. I've never understood that. I was like, "Why don't you wait until my next project, before you start telling my what my career is going to look like, for the next 10 years?" I've never let it set me back because I always knew the world would try to do that for me, anyway.
Anyone who has been with me from the beginning has worked from the trenches with me and they've worked really hard. People that I have brought in where I am now, they haven't worked the way that we have, they haven't lost the sleep, and you know, the blood, sweat, and tears.
Some people have tried to change me and tell me what to do, but I haven't done it, and it's worked for me.
If I was singing like somebody else, then it was almost like I was expressing myself like somebody else. So it was always a very original thing for me. It's my voice, it's my diary, it's the way I connect with people.
I only had one focus and one direction, and I knew where my spirit and heart lived, and it was in singing and dancing and acting, being that. I know a lot of young people dream that, but it's good that it worked out for me because it was all I ever wanted to do.
I worked with someone who told me they'd never like me. But for some reason, I just felt like I needed her approval. So I started changing myself to please her. It made me stop being social and friendly. I was so unhappy.
You either like me or you don't. It took me twenty-something years to learn how to love myself, I don't have that kinda time to convince somebody else.
But what I thought, and what I still think, and always will, is that she saw me. Nobody else has ever seen me — me, Jenny Gluckstein — like that. Not my parents, not Julian, not even Meena. Love is one thing — recognition is something else.
Nothing mattered much to me for a time there, after you told me you could never love me, Anne. There was nobody else -- there never could be anybody else for me but you. I've loved you ever since that day you broke your slate over my head in school.
The youth thing never really, from my vantage point, slowed me down. I think the harder audience for me to gain acceptance from was the career diplomatic corps that worked with and for me in the Africa Bureau.
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