A Quote by Tamara Jenkins
Focus group was helpful in the way it always is when you make movies, especially with anything funny. You can find the right edit or the right beat. In terms of cutting and rhythm, I think it's essential to screen your movie before you lock picture.
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It's funny: I've always wanted to grow my hair out ,and I always seem to get a movie right before it's sort of the right length or right after, and it's never timed right.
I love digital, but the only problem is less intimacy. People look at the screen right away. Before, nobody saw the picture before you saw the final picture. There was more privacy in a way.
A group of women who valued motherhood, but valued it on their own timetable, began to make a new claim, one that had never surfaced in the abortion debate before this, that abortion was a woman's right. Most significantly, they argued that this right to abortion was essential to their right to equality -- the right to be treated as individuals rather than as potential mothers.
I had never seen anyone edit the way that I edit before I did it, and it's just what felt right to me.
Whether I'm performing or directing, I'm aways thinking about rhythm; sometimes it's nailing the right rhythm, and sometimes it's intentionally breaking the rhythm. Those two things are what make something funny or not. How long a shot is and where you put the camera are all part of that rhythm of directing.
My personal feeling is that ultra-high frame rates and ultra-vivid giant screen movies can be like a window onto reality. And if you recognize it as such, you can write your screenplay, direct your movie, edit it, and present it as a live experience - not like a movie.
I'm a great believer in conversational rhythm. I think in terms of rhythmic dialogue. It's so easy, you can talk naturally. It's like peas rolling off a knife. Take the great screen actors and actresses, Bette Davis, Eddie Robinson, Jimmy Cagney, Spencer Tracy. They all talk in rhythm. And rhythm and movement are the life of the screen.
Life is like a combination lock; your job is to find the right numbers, in the right order, so you can have everything you want.
It was very hard to make 'Funny Face' in Paris because making movies is difficult and making a movie in a city that was glorious, that was unique and surprising, to get it, to put it on film you have to make choices and reject a lot of things so you're always wondering: 'Am I doing it right?'
It was very hard to make 'Funny Face' in Paris because making movies is difficult and making a movie in a city that was glorious, that was unique and surprising, to get it, to put it on film you have to make choices and reject a lot of things so you're always wondering: "am I doing it right?"
But surrender also means your back's to the wall and saying, "Okay, I give up." But rather it's a joyful self-offering. When you come to the point of realizing that "I never get it right. I always make a mess of things; I can't do anything right. Let him do it." And then you ask his power to do it through you and you find suddenly that it works that way.
When you make movies, I find that I never have time to go to the movies and enjoy movies like I used to, because I'm so movied out, right, I'm so filmed out that the last thing that I wanna do is with the little spare time that I have is stick in a dark room and watch more stuff on the screen.
Rights mean you have a right to your life. You have a right to your liberty, and you should have a right to keep the fruits of your labor....I, in a way, don’t like to use those terms: gay rights, women’s rights, minority rights, religious rights. There’s only one type of right. It’s the right to your liberty.
That's the problem: when you make movies, I find that I never have time to go to the movies and enjoy movies like I used to because I'm so movied out, right? I'm so filmed out that the last thing that I wanna do is, with the little spare time that I have, is stick in a dark room and watch more stuff on the screen.
If you do all the little things - like being in the right position, pressing at the right moments, working for the team in a smart way - if you do all those things as a group, then at the end of the game, you will be rewarded. Once you stop doing that as a group, the opposition will always find some gaps, some spaces.
One funny thing is, though, I wear my watch on my right hand and I'm actually right-handed. People always wonder why - I don't know myself, I've just always done it that way and I like it the way a good watch fits on my right wrist.
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