A Quote by Tamara Taylor
My latest decorating obsession is dipping - like painting the bottom of things. I've done it to almost every terra-cotta pot in my house. Every African vase I have is painted gold on the bottom. It's so fun and easy, and it instantly livens up a piece. You feel like you've really accomplished something.
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Like all Iranian kids, I grew up feeling strongly that the best part of dinner was tahdig, the crisp, golden crust that forms at the bottom of every pot of Persian rice - and sometimes other dishes, too.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.
Every pot must sit on its own bottom.
Grief is like sinking, like being buried. I am in water the tawny color of kicked-up dirt. Every breath is full of choking. There is nothing to hold on to, no sides, no way to claw myself up. There is nothing to do but let go. Let go. Feel the weight all around you, feel the squeezing of your lungs, the slow, low pressure. Let yourself go deeper. There is nothing but bottom. There is nothing but the taste of metal, and the echoes of old things, and days that look like darkness.
It's one thing to never accomplish anything. You start from the bottom, you remain at the bottom, and all you know is the bottom. When you start at the bottom and you get to the top, and you feel the success and the notoriety and the recognition from being the champion, and you go back to losing, that's a tough place to be in.
The best way to build a house is not from the top, but from the bottom. When you go to the polls, vote from the bottom up.
I'm kind of an insecure artist. I hop from piece to piece. I always think my life depends on every painting. Every painting is my first painting.
As a species, we're not only wired to choose today over tomorrow, but we hate to feel like we're losing out on something. The bottom line is, if we feel like we're losing something we avoid it, we won't do it. That's why so many people don't save and invest. Saving sounds like you're giving something up, you're losing something today. But you're not.
When I've painted a woman's bottom so that I want to touch it, then [the painting] is finished.
I don't feel lonely. No no no. I feel like I'm jumping in a well that has no bottom, and at some point I know I'll hit bottom. I never put a time limit on it. I'm oblivious to anything except that which I'm doing.
Jealousy smells like the water in the bottom of a flower vase after the flowers have died.
I think culture is where things change in us deeply. But right now, I think that people are very traumatised. They are very scared. Having grown up in a house with a perpetrator who was violent every day and terrorising every day, I feel like that this country is suddenly very much like the house and the family I grew up in. Every day we are glued to our phones, glued to our television; "What is this psychopath going to do next? How will he embarrass us? Who will he bully or hurt or humiliate today? It's so easy to get locked into a syndrome where the perpetrator is ruling your life.
Nothing happened overnight. Every country we went into, we started at the bottom. We knew that because the music we were playing and the attitude we had, we knew we'd be at the bottom and have to work our way up.
Almost every magazine piece I've ever written, I felt like I haven't done it justice, like it was just a gloss.
Love was like rain: it turned into ice, or it disappeared. Now you saw it, now you couldn't find it no matter how hard you might search. Love evaporated; obsession was realer; it hurt, like a pin in your bottom, a stone in your shoe. It didn't go away in the blink of an eye. A morning phone call filled with regret. A letter that said, Dear you, good-bye from me. Obsession tasted like something familiar. Something you'd known your whole life. It settled and lurked; it stayed with you.
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