A Quote by Tammy Blanchard

I grew up doing stage work as a child and as a teenager, so the stage is my home where I feel most comfortable. — © Tammy Blanchard
I grew up doing stage work as a child and as a teenager, so the stage is my home where I feel most comfortable.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
My roots are on the live performing stage, so while I enjoy making films and the other things that I do, when I get on stage, I feel at home; I'm comfortable.
For me, it's about being comfortable... but I can feel comfortable in a thong leotard and on stage. Growing up as a dancer, that's how I'm comfortable in my body. It's about where you grew up and those things; it's a way of communicating your spirit to the world.
It is when I am on stage that I feel most comfortable. It is my home. It is the only thing I have known since I was a kid.
I grew up in a lot of stage managers' booths, memorizing the lines. I'm sure I was the most annoying child in existence.
An interesting difference between new and experienced stage managers is that the new stage manager thinks of running the show as the most difficult and most demanding part of the job, whereas the experienced stage manager thinks of it as the most relaxing part. Perhaps the reason is that experienced stage managers have built up work habits that make then so thoroughly prepared for the production phase that they [can] sit back during performances to watch that preparation pay off.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
It's not most important to communicate myself on stage as it is to be as funny or interesting as I possibly can on stage. I feel more like I'm doing a play whose main character just happens to share my name.
I think I am most comfortable when I am on stage. I feel free, like I can be or do anything and it feels like home.
The stage is where I feel most comfortable, and I miss it all the time.
I grew up in a family full of yellers. People screaming and chaos goin' on, I feel right at home in it. I've really worked on myself with anger management. I try to save that for the stage.
Most of my comedy writing happens through improvisation on stage; doing it in the moment. Going up with an idea and fleshing it out over time on stage and in front of people until it becomes a full bit.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
I think the stage is the place where I feel most comfortable and most myself.
Cosmoe is nearing the stage where I would feel comfortable doing a preliminary release aimed at developers.
I always say that I've grown little flaps on a stage and I've got these little gills that open, because on the stage I'm in my element and I'm like a fish that's come out when I'm on land, which is filming. I'm never quite as comfortable as I am on the stage.
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