A Quote by Tamora Pierce
Where everyone else sees a straight line, you see a maze, and when I'm done talking to you, the maze starts to make more sense --Reply by Dove to Aly's silent inquiry
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I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting...I quite like to be in that maze.
'Maze Runner' is about a group of teens that live inside this giant maze. And outside the maze are these creatures that come out at night. The centerpiece of the maze where we stay is called the Glades, and we call ourselves the Gladers.
There is no route out of the maze. The maze shifts as you move through it, because it is alive.
A rat in a maze is free to go anywhere, as long as it stays inside the maze.
He felt full of a dense and sour substance that was blocking his chest, and it wasn't grief. After all those years, life now seemed like no more than a trap, a maze, not even a maze, just a room that was all walls, no door.
We [fiction writers] are much more of a maze than we are a motorway. Things are always in flux, they're always in movement, they're always twisting back on each other. I think the straight line is such a lie.
The point is that getting married for lust or money or social status or even love is usually trouble. The point is that marriage is a maze into which we wander - a maze that is best got through with a great companion.
Men speak of blind destiny, a thing without scheme or purpose. But what sort of destiny is that? Each act in this world from which there can be no turning back has before it another, and it another yet. In a vast endless net. Men imagine that the choices before them are theirs to make. But we are free to act only upon what is given. Choice is lost in the maze of generations and each act in the maze is itself an enslavement for it voids every alternative and binds one ever more tightly into the constraints that make a life.
Within a culture possessed by the myth of feminine evil, the naming, describing, and theorizing about good and evil has constituted a maze/haze of deception. The journey of women becoming is breaking through this maze - springing into free space, which is an a-mazing process.
To me, the most interesting approach to film noir is subjective. The genre is really all about not knowing what's going on around you, and that fear of the unknown. The only way to do that effectively is to really get into the maze, rather than look at the maze from above, so that's where I sort of come at it.
When I was in New York it was like a maze, a rat maze, going from one little box to another little box and passing through passageways to get from one safe haven to another.
An individual ant, even though it has a brain about a millionth of a size of a human being's, can learn a maze; the kind we use is a simple rat maze in a laboratory. They can learn it about one-half as fast as a rat.
I really like watching reruns of 'The Crystal Maze.' It's something that I find weirdly comforting. If I ever have even a small amount of banknotes, I love to 'Crystal Maze' them by throwing them in the air and catching them. But it's never as fun as it looks on TV.
Think of lab rats racing through a maze, when you watch the sub-intelligent, dual-panel 'dialogue' conducted on the teli. Each rat runs with a designated, neatly bifurcated (Republican or Democratic) political orthodoxy. Each is a 'maze-bright' rat, and not the possessor and giver of any truth.
I suppose it’s easier to see the way out of anything when you’ve found your way out of that maze. When you’re stuck in the middle, in a series of dead-ends making circles, it’s difficult to make any sense of anything.
I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
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