A Quote by Tamora Pierce

I told Ersken, "Lately it's been like living on the knife's edge, never knowing which side I'll fall off on" Ersken clapped me on the shoulder as we stepped into the street. "Cheer up, Beka. Maybe you were going to fall off that razor's edge before, but not today," he said, as good humored as always. "Today we're doing to jump.
I think that today, integration is the name of the game and not separating these things out, and not trying to find the razor's edge, the narrow path. There's a lot of lanes in the highway, the trick is not fall into the ditches on either side, like a one sided nihilism, nothing matters life.
You can say the Earth is flat, but it doesn't mean you're going to fall off the edge.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
I have lived on a razors edge. So what if you fall off. I'd rather be doing something I wanted to do. I'd walk it again.
Make something happen today, before you go home, before the end of the week. Launch that idea, post that post, run that ad, call that customer. Go the edge, that edge you've been holding back from... and do it today. Without waiting for the committee or your boss or the market. Just go.
Love: a single word, a wispy thing, a word no bigger or longer than an edge. That's what it is: an edge; a razor. It draws up through the center of your life, cutting everything in two. Before and after. The rest of the world falls away on either side.
If you are going to make a change, don't go halfway. Make it with conviction and stick with your new idea. Ignore the scoffers. Remember, it is a law of nature that if something is different you're going to be taunted, jeered, and told the world is flat. Let the doubters fall off the edge.
With a live audience, it's very clear when you've pushed it too far to the edge - because you fall off that edge and hit bottom with a thud. Nothing abstract about that. You know you went too far when you hear that groan or worse - that silence instead of the big laugh you were expecting following your hilariously edgy joke.
I grew up in the South Side, and when we would have snow and blizzards and drifts, we would jump off the garage roof into the snow. Now if I'm up on a step ladder and I think I'm going to fall, it's a foot and a half off the ground, but I'm panicked about it. So I'm afraid of ladders and those beds.
I like playing characters who are out there on the edge, where they can explode at any moment or fall off the precipice.
Empathy took the edge off, and the truth is, we need our edge. Our edge is trying to speak to us, and we are too, too good at shutting it up.
Our relationship couldn't continue to balance, as it did, on the point of a knife. We would fall off one edge or the other, depending entirely upon his decision, or his instincts. My decision was made, made before I'd ever consciously chosen, and I was committed to seeing it through. Because there was nothing more terrifying to me, more excruciating, than the thought of turning away from him. It was an impossibility.
The joy of 'The X-files' is how it plays on so many different realities never knowing what is the truth and what is the deception. So my approach to my character has always been that we are alive and have always been alive and were never 'killed off' but held a fake funeral in 'Jump the Shark' to get the heat off of us.
Sometimes it seem like to tell the truth today is to run the risk of being killed. But if I fall, I'll fall five feet four inches forward in the fight for freedom. I'm not backing off.
I grew up on the ragged edge of self-acceptance, where I was holding on to it, but it was easy to fall off. But as I found my way inside myself, I've been able to accept my own hair, my own shape.
With 'Horror Story', it really was, 'You're going to run; you're going to jump off this cliff, and trust that that Ryan Murphy is going to catch you.' So I just ran head-on into it and jumped off the edge of that cliff.
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