A Quote by Tamron Hall
When I first started out as a young journalist, I know that on at least two occasions, when I walked into a newsroom, I knew I was replacing the black person in that job.
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Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
When I first started my character in my first match with Alicia Fox, I walked out with my hair in a ponytail, and as soon as I got into the ring, I took the ponytail out and let my hair down, because I knew it would get messed up, and I didn't want to look ridiculous on TV.
When I entered my first newsroom in the late 80s it was packed with young people, a fairly balanced ratio of men and women, working as fixers, sub-editors, presenters and producers. Everyone was committed to the job, and equally ambitious.
I try to write in the first person - the first person not of a journalist but of a carnivore, an eater, a gardener, someone trying to figure out what to feed his family.
My first filming job was one of the first episodes of 'Black Mirror,' before anyone knew what that was going to be. It was this mad project with some great people behind it - and now it's 'Black Mirror!' It was sort of baptism by fire.
It felt like the first thing, but when I first started out, I got a job adapting a book by Russell Banks called 'Rule Of The Bone.' I didn't do a very good job. I didn't really know what I was doing in general, let alone how to adapt a book.
When we walked out of that hospital, we had a birth certificate with our names on it that said: 'Father one and father two, Tom Daley and Dustin Lance Black.' And we knew our son was not only ours in our hearts but also legally and protected that way.
I actually know the moment I became known. It was at the Cannes Film Festival, when they showed 'The Virgin Spring.' I walked into that theater as one person, and I walked out as another.
I knew early on that I wanted to be a reporter, but I didn't know I was a political journalist until my first job in Boston, in the '70s, covering the public school committee at a time when busing was a huge issue. Children's lives were being directly affected by political decisions, and that's when I realized that everything is politics.
I learned that I had to work triply hard every time I started a new job in a newsroom to prove my value and worth.
When 'The Cosby Show' came out, and everyone was up in arms about 'The Cosby Show' and that it was reflecting a world that didn't exist - but I knew black doctors. And I knew black lawyers. And I knew families that, you know, had a mother and a father and kids that were well-behaved.
I had left the music business and became a conflict journalist. The conflict journalism started for me in the Gulf and the oil spill. When Skynyrd needed a new bass player, they knew me from the Black Crowes.
My first shift in broadcasting was 2-11 A.M., doing lots of grunt work and running the TelePrompTer for the morning anchors. Luckily, I fell in love the minute I walked into the newsroom, and I've never gotten over that.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut - ' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.'
It is as well perhaps that this is not the first time I have been swept off my feet. In the days of my blessed youth there were such occasions; in what young person's life do they not occur?
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