A Quote by Tamsin Egerton
I was very aware of the legend, from such an early age. Being a Brit, you are so aware of King Arthur, Camelot, Guinevere and Morgan, the witch. Merlin is this mad magician who's cloaked in mystery. It has that mystery about it. And, it's a lead role for a woman that's strong and has a real journey to take.
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Growing up as a Brit, Arthur and Merlin and Camelot, and just the idea of it, is embedded in the culture and in your soul, growing up. King Arthur is alongside Robin Hood, as those great British folk tales, myths and icons.
There have been so many different versions of the legend and of 'Camelot,' so what I wanted to do was strip it all back, and go back to the beginning and tell the story of Arthur, from the beginning of the relationship between Merlin and Arthur.
In Merlin, Arthur has a very loyal friend who keeps him on his toes. Arthur enjoys those challenges, and there is a lot of great banter between them. Meanwhile, in Arthur, Merlin has a friend he can really rely on. Merlin knows that when it comes the crunch, Arthur will always do the right thing.
The greatest writers of this age... are aware of the mystery of our existence.
Sensitivity isn't being wimpy. It's about being so painfully aware that a flea landing on a dog is like a sonic boom. I enjoy a lot of mystery.
The big, big block in the Arthur/Merlin friendship is the status issue, that Merlin is the servant and Arthur is royalty, and in that time, princes did not socialize with their servants; that wasn't the done thing. It just so happens that their relationship, their friendship, is strong: they have been through the thick and the thin of it all.
How you prepare for a role is entirely your business in my point of view. There is little enough mystery anymore left in the world in the part of our profession, which should be clouded in mystery because it isn't in the public. You don't want the magician to show his tricks or how he did them do you? So I do think that is a very private thing that we actors should protect ourselves from.
I've just written a very gritty, non-magical take on the King Arthur legend, 'Here Lies Arthur,' and I'm currently toying with some other historical ideas, as well as working with the illustrator David Wyatt on some sequels to my Victorian space opera 'Larklight.'
Often it's seen as empowering if you're cleverer than the men, or more aware - then you're giving the woman a great strong role. And that's true to an extent. But when it's a comedy, you want to be as mad and silly and funny as the men.
I am very much aware that I am considered a 'strong woman.' And I am also aware that that is only because I had a child outside wedlock.
He [Merlin] is slightly from another world and place, so it [challenge in bringing the role to life] is about having fun and presenting it in a new way. He's more of a politician, and slightly Machiavellian, but there's also a lovely relationship going on between Merlin and Arthur. There's so much to be had, really.
You know, I'm gay and I grew up being aware of that at a very early age, in a fairly repressed family.
Guinevere has been done quite a few times, especially as a mature young woman, who either is the damsel in distress or the warrior, strong-willed woman. Chris wanted a variety of things in this Guinevere. He predominately wanted her to be real and natural, and make mistakes and be passionate, and be the feisty young girl, but then also completely naive, innocent and ignorant, at the same time.
Guinevere and Arthur's story is so about the passion. It's about the sexual attraction between them. You can't have that story and show that sexual attraction with them kissing, and then shut the door. It just doesn't work. It's such an important part of their relationship and what happens in Camelot later on. It's who they are and how they bond.
The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
Now consciousness, what is consciousness? Consciousness is being aware of one's surroundings, recognizing the existence, truth or fact of something; being aware of the very moment, the very instant that you are in; being aware of how you affect the human social, political, and natural ecology you are a part of and how it affects you. Consciousness is being informed and instructed through your groups peculiar culture on the effects of the varied ecologies on your immediate and distant ancestors, and to be aware of their interpretation of that experience.
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