A Quote by Tamsin Egerton

At 11, I got my first job in a mini-series for America, and it was very exciting. — © Tamsin Egerton
At 11, I got my first job in a mini-series for America, and it was very exciting.
In the mini-series area, we are going to have a regular year-round, weekly presence on Encore of classic mini-series and a new mini-series that we are bringing. For the time being, I think the home of mini-series will be on Encore.
It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."
That's the definition of a mini-series. A mini-series is a show that has no continuing story or narrative elements between one group of episodes and another, so no, I wasn't surprised.
People want to evolve the idea of the word "mini-series." Mini-series has an '80s connotation to it.
As soon as I got my proper first job, I never did acting again. I think the last thing I did was a Mike Figures film, and then I got a series with the BBC. I'm glad of the experience, because I think it's very, very good to understand what actors go through.
When I was probably in middle school I saw the mini series Angels in America for the first time and I think Mary Louise Parker's performance in that first of all sparked a deep obsession with Mary Louise Parker, but I also really love Amy Adams because she gets to do comedy and drama so consistently.
My first paying job was guest starring in 'Touched By An Angel' when I was 12. It was very exciting. I couldn't believe you got free food all day and people were so nice to you.
I got the first job and kept going. Once I got a job, I very much wanted to keep getting jobs, basically. I did try to learn what I could in those first couple of decades.
I first met my husband on the day we got married, when I was 20. I moved to be with him in Leeds, 165 miles from Luton. The kitchen was absolutely tiny. But I got my first hand-held mixer and first set of scales and first blue cake tin from Tesco and that was very exciting.
I don't think I've ever done a real mini-series, but I love doing film first and foremost.
I believe a mini-series has two audiences. The first is the media. Then I go for the television audience.
Apparently we've got open borders. We've got people in this country all over the place that could be part of cells. After 9/11 happened, you have to understand, leadership and law enforcement after 9/11, they really got reamed for doing a horrible job of preventing it when in many people's minds it was preventable.
I remember, my first job when I got my working papers at 13 was as a vendor at Yankee Stadium - the old Yankee Stadium, with very steep stairs in the upper decks. It was all commission-based. And I think a soft drink was 25 cents, and I think you got a 10 percent or 11 percent commission.
I like the idea of taking what is essentially a boring, officious job and turning it into something that is a fantasy, to a degree. I suppose there is a juxtaposition involved in that because you do have to be a civil servant but you're doing a tremendously exciting job, or potentially an exciting job, or a glamourous job.
The Paris attack was highly sophisticated, well-planned, very clever, took months in the making, very much like 9/11. And there is a 9/11-style attack coming to America.
I've played the leads in two British TV series. I've done a bunch of mini-series. Everybody in Australia is a bit in awe of BBC. I've worked for there, and that was a great experience.
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