A Quote by Tamsin Greig
Families always stay the same, but they always provide more stories.
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Of course you learn from certain moments, and you always get more and more experience, so maybe in the future you will do some different things, but in general, the basics always stay the same.
The fight is always the same within the Democratic Party, isn't it? The more things change, the more they stay the same.
May I ask you something?" I say. "Why do you read books, when you could be outside, living a million different adventures every day?" "Because you can always count on a book to stay the same. EVerything else changes when you least expect it," she replies, bitter. "Families split apart, and nothing's forever. In books, you always know what's coming next. There are no surprises.
Families are the tie that reminds us of yesterday, provide strength and support today, and give us hope for tomorrow. No government, no matter how well-intentioned, or well-managed, can provide what our families provide.
I've been to Washington many times over the years for stories, and it always seems remarkably the same. More the same than the rest of the country. It's almost like they dress the same as they did 20 years ago. The same old guys are sitting outside the same dirty, dingy secret offices in the Capitol that you're not allowed to go in.
Horror is always the same. It changes with the culture and changes with technology. The stories are always the same. There are just two basic stories in horror, two simple ones -- evil is outside and evil is in here [points to his heart].
Democrats have always historically referred to our families as working families, and I have sort of changed that moniker. I think what we have is a nation of worried families - families that are concerned about job security, families who thought their pensions were secure and now have questions.
Keep at it, always be thinking about it, always be developing, always try to grow and learn more - and never stay in one place.
Stories matter. Stories are how we make sense of the world, which doesn't mean that those stories can't be stupid and simplistic and full of lies. Stories can exaggerate and offend and they always, always matter.
As you get older and as your situation changes, it becomes different. Yes, I have to provide for my family, so if there's a chance that I'm not going to be able to provide for my family, who is always number one, my kids are always number one, then yeah, maybe it's not the same. But like I said, everybody's boiling point is different and you get to that point differently and you're at peace with it.
As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing. It has always been clear to me that the stories of each other's lives are our best textbooks.
A loving family provides the foundation children need to succeed, and strong families with a man and a woman - bonded together for life - always have been, and always will be, the key to such families.
I'm not angry. As an athlete ... you should be open to criticism, and you're allowed to be criticized, because not everybody has the same opinion, not everybody likes the same players. The rankings are quite volatile: Today you're 'great,' tomorrow you're 'not,' but then you're 'great' again. It makes for great stories. Now, I always look at the long term and by doing that, obviously, I can stay calm through the storm.
You're always trying to do something that, on one hand, honors all those stories, that is still in some way the same character that Stan Lee and Jack Kirby were doing back in the sixties. But, at the same time, you want to be able to tell new stories and not just rehash what's come before.
I guess I've always been kind of obsessed with food. I always liked drawing food, and I always liked stories - I think I probably just read somewhere that stories are better if someone's eating in them. I don't know where that came from, but it really stuck, and I always try to put food in.
I don't always set stories in villages, more often in towns. But always in smallish communities because the characters' actions are more visible there, and the dramatic tension is heightened.
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