A Quote by Tamsin Greig

I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened. — © Tamsin Greig
I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
I was always told that I was too strange or that I was too cheesy by different groups of people, like the record companies said I was way too weird and the indie people wouldn't even let me in their band.
A Manhattan lawyer who describes himself as "America`s leading expert on the militia movement" writes that he hugged his three-year-old kid the night of the Oklahoma City bombing. He told junior that it happened "because they hated too much" For now, let`s accept the premise that one hundred sixty-eight humans died in Oklahoma City because people "hated too much" Now answer these questions if you would be so kind: did a federal sniper shoot Vicki Weaver in the face because he hated too much? Did our government conduct the Tuskegee with syphilis on black soldiers because it hated too much?
You can't ever work too much because there's no such thing as being in too good condition. You can't ever lift too many weights because you can't ever get too strong. You can't ever wrestle too much because you can always do better.
You size up someone physically in less than one second - too tall, too short, too fat, too thin, too old, too young, too stuffy, too scruffy.
He hasn't said whether he remembers the episode itself - or, if he doesn't, whether that is because it never happened or because it happened too often to keep track. More important, he hasn't said what he thinks about it all from the perspective of 2003.
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in - that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
In many ways, I think I've always overcompensated. I was always almost too careful, because I knew if anybody ever found any way to doubt my work, then they'd start picking my life apart, too.
The absolute negative, the ultimate saying of no to the world, when it is just too late. And always the subtle conviction that if you had said No a moment earlier, it would none of it have happened. But the saying of no comes too late by a little. You are always a little too late in saying it.
People always think I get really good reviews, but I don't. That's why I don't go on the Internet much - because you can go down a dark hole looking at stuff. Once, I clicked on my name and freaked out. It's too bizarre, it's too weird, it's too unsettling.
I was too old, too young, too fat, too thin, too tall, too short, too blond, too dark - but at some point, they're going to need the other. So I'd get really good at being the other.
Asia's crowded and Europe's too old, Africa is far too hot and Canada's too cold. And South America stole our name, let's drop the big one.
I'm a Pisces, and Pisces have this weird inability to be completely spontaneous. We're too conscious of our actions. I've always been way too sensible for my own good.
I'll look as if I'm dead, and that won't be true.' I said nothing. 'You understand. It's too far. I can't take this body with me. It's too heavy.' I said nothing. 'But it'll be like an old abandoned shell. There's nothing sad about an old shell...' I said nothing. 'It'll be nice, you know. I'll be looking at the stars, too. All the stars will be wells with a rusty pulley. All the stars will pour out water for me to drink...' I said nothing. 'And it'll be fun! You'll have five-hundred million little bells; I'll have five-hundred million springs of fresh water...' And he, too, said nothing more.
The way I work, and the material we work with, I think if you analyze too much and have too many specific ideas, it just becomes a little bit too superficial, and then performances might become too self-conscious and project relatively narrow things.
I'd be flattered if someone said that my work is "too weird" for them. I value the uncompliment.
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