A Quote by Tamzin Merchant
When I directed my first short - 'American Virgin' - I had no idea if I could actually do it. Like, I might just get onto set, have everyone look at me and just completely freeze and have no idea what to do. But pretty much the opposite of that happened. I was like a fish diving into the sea.
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I'd say, 90 percent of the time, I get an idea, like, within 10 seconds of somebody telling me what their whole thing is about. And usually that flash of an idea, it's what I always go with. It might change slightly, but in general, that's pretty much it. To get me to change the entire idea is pretty tough.
The back windows looked out over the fields, then the Atlantic, maybe a hundred yards away. Actually, I'm just making that bit up. I had no idea how far away the sea was. Only men could do things like that. "Half a mile." "Fifty yards." Giving directions, that sort of thing. I could look at a woman and say "Thirty-six C." Or "Let's try it in the next size up." But I had no idea how far away Tim's sea was except that I wouldn't want to walk to it in high heels.
You know, an idea is just an idea. There seems to... the kind of epiphanies that you have, like the little sudden bursts of light, they're very small and they're very short and it's the pursuit of the idea that's the important thing. . . . I know a lot of people who have way better ideas than I do that-much more frequently than I do that just can't sit down and actually do it. Ideas are such are a little overrated really; it's the work behind the idea that's the important thing.
[Photographer Julian Wasser] had this great idea that I should play chess naked with Marcel Duchamp and it seem to be such a great idea that it was just like the best idea I'd ever heard in my life. It was like a great idea. I mean, it was - Not only was it vengeance, it was art, and it was, like, a great idea. And even if it didn't get any vengeance, it would still turn out okay with me because, you know, I would be sort of immortalized.
I like to look at American and European street style. Basically, I look at things I like and want to buy, just like everyone else. But having said that, I think that it can be a bad idea to pay too close attention to someone else's total look.
The first role I ever played I had the lead and it's pretty much stayed that way, though people take great relish in calling me a character actor, which I am. There are a lot of short parts I could play, but I only do them when they are like this ("A Few Good Men"), central to the idea of the movie.
One of the tools I like a lot is the Just Like Me practice. It's one of the empathy practices where we put ourselves in the other's shoes. Rather than get caught up in the difference in the ideologies, we actually come back to the fundamental idea: just like me, this person on the opposite political spectrum wants to be happy, wants to be safe, wants to thrive, wants to be healthy, wants to find peace of mind.
I am just diving into life again. I just have nothing new to offer right now as an idea for a book. I feel like if I were to write something, I would probably repeat the same idea in a different story.
When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes.
I feel totally disconnected from reality in Washington. Maybe I'm just really pretentious - in fact, I probably am - but I feel like people in this city have no idea about where their reality is coming from and who is helping them to live in this illusion. I've gone from the south side of Chicago, where everyone is completely unrealistic about what's important in life to a place like this, where people are still unrealistic about what's important, but it's on two opposite sides of the spectrum. I just get tired of it all. It makes me really, really angry.
It took me a while to get back to 'The Queen of the Night.' I was angry with it as an idea because I felt like it had sort of ruined my life by taking so much attention away from 'Edinburgh.' So it essentially languished in a drawer until 2004, when I pulled it out, dusted it off, and thought, 'Oh, I actually really like this idea.'
I think it's good for the fans, as well, because they get to connect with you directly. You know, in the old days, if I wanted to, like, write to (Steven) Spielberg or Sam Raimi or whatever, I'm not sure I could actually write a fan mail and (I'd) have no idea where to actually send it. Nowadays, you can just, like, follow Ashton (Kutcher who still has among the most followers on Twitter) or, like, friend someone, you know, on Facebook, and you can actually just say, "Hey, I like your stuff."
I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."
It's always on everyone's list, like, 'What's New Orleans like?' I think people have a pre-conceived idea, like it's just Mardi Gras and Bourbon Street. But really, there's so much culture, the music's great, the food's great. It's not good for the waistline! But I'm actually from the South, I'm from Georgia, so the weather doesn't bother me.
If I had a million dollars, I just wouldn't just completely set back. I'd have to get out there and show my face to all these good people who like me, I have to get out there and show my face. The only thing that would set me back if I get sick or something or pass away, that's all you can do about that you know. But as long as I got my health goin' pretty good, I'll show up around here.
First of all, I wish everyone who loved football could stand in the quarterback's shoes just for a play, because I think it would be tremendously humbling to anyone who loved the game to say, "I didn't -- I had no idea." You can think about what it would be like, and the cameras are getting better at giving that perspective, that one that the skycam comes down and you get a sense of it, but you just -- you don't know.
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