A Quote by Tan France

I grew up in a very cultural household, but part of our culture is that we don't really take photos. — © Tan France
I grew up in a very cultural household, but part of our culture is that we don't really take photos.
I didn't really grow up with any traditions. I grew up in a pretty liberal household in Southern California. I think that's part of my interest in thinking about heritage. I don't have a second language or cultural heritage in that way.
I grew up in a very visual household. My dad is a designer; my sister is a designer. My brother is an amazing architect who does music. But I think in the Chung household, how things looked was an important part of who you are.
I grew up in a pretty tough neighborhood. I grew up around drugs, alcohol, prostitution, I grew up around everything, and I think part of seeing that from really young has made me really steer very far away from it in all of its forms.
We grew up in the South, but in a very liberal household - both our parents are from the Northeast.
I've an enormous respect for my mother who at the age of 39 raised three children, and I grew up with my grandmother in the household. And so it was a really strong household of women - my poor brother! It was great growing up with so many generations of women.
Unfortunately, in my home, we didn't speak Arabic; it was a mixed culture. My mother played a dominant role in our educational upbringing, and we grew up as part and parcel of Belize's culture.
I grew up in a conservative household, my parents were small business owners, so it really just was kind of part of who we were.
I grew up on the very human side of Christianity, so messages in the household I grew up in were about peace, love, and being understanding of everybody, which I think is quite cool.
Hip hop - it's an art form but it's a culture as well. You grow up in the culture and you never leave it. It's a style of dress; it's a way of thought. I always grew up in the culture, and it was part of who I was and I carried it into every world I was in.
I grew up in a household where there were really, really strong matriarchal characters. I think that's true of many Asian households. People tend to think of Asia as a misogynistic society or a society where men rule. At least in my experience, the women rule the household; the women rule the social scene. The men often become very useless.
I grew up in a household that was a labor household. My dad was a Teamster and a milk truck driver. My mother was a secretary. Neither of them got through high school. But they worked hard and they gave me very, very important opportunities to go to school, get a good education.
On the one hand, I'm this guy who grew up in the suburbs of New York City to very conservative parents, and the other side of me is fascinated by the peripheries of our culture, maybe because that's where our culture is most in transition and where there's likely to be conflict.
I think nowadays it doesn't really matter where we are physically located. We create our own culture around us to a large extent, whether it's what we're listening to, what we're watching, what we're reading - it can have very little to do with one's immediate cultural environment. We are in a global culture in that respect.
I grew up with coconuts as the main flavor in food in Jamaica. It's part of our culture.
I grew up in a Caribbean family household, so the parents are always right. My father smacked me up til I was 20. It was a strict household.
I grew up in a household that had its roots in church and community and culture and poetry and song and in the arts. Those aspects certainly shaped what I do.
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