A Quote by Tan France

I'm really loving Billie Eilish's 'idontwannabeyouanymore.' Her dreamy vocals offer such a lovely moment of escape, and there's a sophistication to the lyrics that are so surprising coming from a teen artist.
I really like Billie Eilish's music. It's really different. My music ain't like hers but I like her music, her vibe.
People don't come to see a Billie Eilish show to come to see me. They come to see her. So I just try not to screw up too much on my instruments.
It's no longer necessary to slave over the vocals. I don't sing the lyrics until I write them, and singing is the very last thing I do. I record the entire track, and then I worry about lyrics and vocals. The music will suggest where the words are going to a certain extent.
I have been a huge fan of ABRA ever since I discovered her in 2016. I love her gloomy fresh universe and her youthful unique vocals. Also I find her lyrics and visual output super exciting.
I think escape is sort of like coming to a show with ten thousand other people and responding to that moment. Sharing that moment - that's escape.
We had been everywhere. We had really seen nothing. And I catch myself thinking today that our long journey had only defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night โ€” every night, every night โ€” the moment I feigned sleep.
As soon as you make anything that people like, you get all these new artists hitting you up like 'I want to sound just like Billie Eilish.' And I'm always like, 'Absolutely not.'
What I really didn't want to do is work with other people and have them go, 'Oh, Finneas just does that sound for everybody.' The Billie sound is only Billie - I'll only do that for her.
I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.
The beauty of Billie Holiday is that she gave every singer after her the license to interpret and perform music in ways that were unique to each of us. Her uniqueness was very much a part of the way she sang the songs, the story she wanted to tell through the songs. I didn't really have a full understanding of Billie until I left home -- until I'd lived a little, shall we say. At different seasons of my life, when I'd sing her songs or listen to her albums, I'd hear things I didn't hear before. Wherever you are in life, you'll hear different things in her songs.
I have a very large shoebox overflowing with lyrics I've been writing and collecting since my teen years and into my late 20s, with lyrics from all walks of my life. Darkness, being in love, being heartbroken, finding yourself... and lyrics that I've been sitting on for, like, seven years, that I haven't done anything with.
When you'd buy vinyl, you'd have this lovely-sized object with a lovely picture, and you'd read the lyrics and usually there was something artistic that went with it.
I naturally like that dreamy, shoegazey sound on my vocals. A lot of reverb helps, and so do a lot of delay effects on everything.
His love for my mother wasn't about looking back and loving something that would never change. It was about loving my mother for everything -- for her brokenness and her fleeing, for her being there right then in that moment before the sun rose and the hospital staff came in. It was about touching that hair with the side of his fingertip, and knowing yet plumbing fearlessly the depths of her ocean eyes.
I feel like, in many ways, Billie Holiday's still very under-appreciated as an artist. People focus on her voice, and all of the very recognizable vocal things that she does, which are great. But I wanted to, with this project, start the conversation again about her as a radical feminist, as a civil rights activist - taking a stance. And also just [her] being a non-conformist.
If you're gonna use simile, analogy, metaphor, be descriptive and have some flowery adjectives and a few odd nouns and some engaging bits of dialogue or sentiment, then you're sort of writing a novel, really. But rock lyrics are not really known for their sophistication.
This site uses cookies to ensure you get the best experience. More info...
Got it!