A Quote by Tan France
When I see a shoe, I deconstruct it in my head. It comes from spending childhood summers around my grandad's denim factory in Bury, watching the machinists turn fabric into clothes.
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I love so many different denim silhouettes, but I do love a denim onesie. I think you can't go wrong with a '70s-inspired, full-on head-to-toe denim moment. I also love high-waisted denim anything.
My granddad founded a manufacturing company in Northern England - a place called Bury - that manufactured denim, and one of the brands they created denim for was Disney.
I don't want to do Ghost as a normal, unmasked band standing around in, like, denim jackets. That was never the plan, regardless of whether people knew who I was or what size shoe I wear.
Most summers we went to Bangladesh and stayed in Grandad's village, filled with relatives. I'm one of 67 grandchildren.
There's a Ford dealer in every city around the United States. They're the fabric of the community. They're either head of the chamber of commerce or the priest, or I mean they're just the fabric of America, and they took care of us.
[Gold] gets dug out of the ground in Africa, or someplace. Then we melt it down, dig another hole, bury it again and pay people to stand around guarding it. It has no utility. Anyone watching from Mars would be scratching their head.
It's really important to me that my niece and nephews can come and see my show, as can my grandad and nan. I love spending time with my family, and music has always bonded us.
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography.
Personally, I love denim... denim pants, a shirt, denim jacket - I'm good.
There have been times where you do the red carpet in a certain shoe, and you go into the bathroom, you take that shoe off, you put the other shoe on from your purse, and then you walk around for the rest of the night.
The people you looked up to growing up, every great player has a signature shoe. That's why I wanted one. I want to walk around and see people wearing my shoe.
When I’m running, there’s always this split second when the pain is ripping through me and I can hardly breathe and all I see is color and blur—and in that split second, right as the pain crests, and becomes too much, and there’s a whiteness going through me, I see something to my left, a flicker of color […]—and I know then, too, that if I only turn my head he’ll be there, laughing, watching me, and holding out his arms. I don’t ever turn my head to look, of course. But one day I will. One day I will, and he’ll be back, and everything will be okay. And until then: I run.
I question the negative connotations of fabric, of ribbon, of lace. I turn these symbols of our imprisonment around.
My grandfather was a shoemaker who worked in a shoe factory.
A renowned genius once asked a student, "What are you watching when you sit on a hillside in the late afternoon as the colors turn from yellow to orange and red and finally darkness?" He answered, "You are watching the sunset." The genius responded, "That is what is wrong with our age. You know full well you are not watching the sun set. You are watching the world turn."
I like to deconstruct things, deconstruct genres and stories.
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