A Quote by Tan France
I worked as a receptionist in England for a couple of years whilst I was building up my business. I decided to take a massive pay cut from my full-time job and work as a receptionist so I could make my own business work.
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When I hurt my knee, I knew it was time to retire from dancing, and I needed a job just to pay the bills, and I ended up as a receptionist for about three-four years.
Along the way, I've worked as a waitress, I've done phone surveys, and worked as a receptionist, and for the last twenty years I've taught. When I was an actor, the key was to find a job that kept your days free to audition.
I love my life. I can't believe I work in New York and Paris. That I work for Louis Vuitton. That I work for Marc Jacobs. It seems really weird every time I say my full name - like, that's me, and every time I hear the receptionist say my name, it's still weird.
I knew I wasn't going to make money in the beginning, so I found another way to support myself - I was a receptionist. It's quite smart to work that way. Otherwise, you get vicious and desperate, and no one wants to work with you. Build your career slowly; then people start to trust you and pay you well.
I make a lot of money. I can take a pay cut. All my friends are taking pay cuts that are in the unions, that are - that are farming in Alabama or whatever it is. I can surely take a pay cut, too, not cutting down my show or - or the people that work for me, I can take a pay cut.
You might be a redneck if the receptionist checks the rat traps at your place of business.
I could have easily never worked again after 'Precious.' I could be back at my receptionist job and no one would be surprised, but I'm having a very crazy little career that no one thought would happen. Although that was never the plan.
When you're your own business, and my business is called Nita Strauss Incorporated, and I am my business, so it's not like I get to stop working at 5 p.m. and go home and do other things. It's a full-time job.
I spent some time studying Toyota, because how could a loom maker - they made looms. That was their business for 50 years, 35 years - and then they decided to go into the car business after everyone else was in the car business.
I'm a fan of odd meters. For example, I've decided to sing 'No Business Like Show Business,' but I'll be doing it in constantly changing 5/4, 7/4 and 11/4 time signatures. I've found a way to make that work.
Whether [people] run their own business, work for a business, go out there, pay their taxes and see the money wasted, fed up with the money going to the next door neighbor sitting permanently on out of work benefits. There needs to be a coalition of change.
Ladies, [motherhood] is a full-time job. Do not kid yourself that you can be a dental receptionist and a mother; that you can be a typist and a mom; that you can be a Vice President and a mom. One of the two things will win. Now look at your Bible and ask what you have to do.
There isn't an amount of money you could offer me to do reality TV. I would rather get my job back on the building site. Or I could own a construction business. Maybe I could retire to my house in Long Island and take up painting, like Captain Beefheart. A crazy recluse: I like that idea.
When you work with a major label they create their own message for you and a lot of the time that works great, or at least it did back in the 90's but now it doesn't work, so I think as an artist if you learn your own business, like anybody would when they want to start a little restaurant - they'd figure it out and then build it and they work hard - then it could be your own little business that you grew to as big as you want it to be but you had much more control with how to communicate it and how it's cared for.
We [with Alix MacKenzie] had decided we needed further training, and certainly Leach was the one we turned to. So we went to England this summer and we took examples of our work along with us and showed them to Bernard Leach and told him what we were trying to do. And of course he took one look at our work and he said - very quickly he said, "I'm sorry, we're full up," and this was his way of politely saying, you just don't make the cut.
There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.
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