A Quote by Tana French

I'm always looking for the potential mystery in everything; I can't imagine writing about anything else. — © Tana French
I'm always looking for the potential mystery in everything; I can't imagine writing about anything else.
When you are going through something that heavy, for me anyway, I couldn't imagine writing about anything else. I always tend to write about what's most prevalent in my mind.
Looking back, I imagine I was always writing. Twaddle it was too. But better far write twaddle or anything, anything, than nothing at all.
The advice that I was always given when asking for advice about acting was that if I could imagine myself doing anything else, anything else at all, then go do that.
If I'm writing by intuition, generally that calculation works itself out. But if I'm writing a mystery, and somebody has to have a reason for doing what he's doing, and it's not anything I can imagine myself wanting to do, things get a little more difficult to write, and careless mistakes are made.
I have only been acting since I was about eighteen. I couldn't imagine doing anything else. I don't think there is anything else I could do.
Well, I believe that "thinking" is just as real a phenomenon in the world as anything else, and just as worthy of exploration. Maybe even more? So writing about "thought" to me is like writing about a tree or anything else real.
Writing is writing to me. I'm incapable of saying no to any writing job, so I've done everything - historical fiction, myths, fairy tales, anything that anybody expresses any interest in me writing, I'll write. It's the same reason I used to read as a child: I like going somewhere else and being someone else.
I imagine the proverb about too many cooks spoiling the broth can be applied to writing as well as anything else. The poetical or literary broth is better cooked by one person.
The first mystery is simply that there is a mystery, a mystery that can never be explained or understood, only encountered from time to time. Nothing is obvious. Everything conceals something else.
When you're not writing, you're not doing anything else either because everything you do goes into the writing.
Everything I know I imagine everyone else knows as well. And then everything that everyone else knows I imagine they know on top of what I know, so I'm constantly anxious about what everyone else knows.
Either you capture the mystery of things or you reveal the mystery. Everything else is just information.
If there wasn't mystery, people wouldn't have anything to ponder. If you already knew everything, you wouldn't have anything to think about and life would just be really boring.
When looking at trends I always ask myself basic and timeless questions about business, and the one I seem to always come back to is, 'How is this different than anything else in the marketplace?'
I generally concentrate on work for three or four hours every morning. I sit at my desk and focus totally on what I’m writing. I don’t see anything else, I don’t think about anything else.
My writing model is my mother, who is a writer as well. She always valued clarity and simplicity above all else. If someone doesn't understand what you're writing, then everything else you do is superfluous. Irrelevant. If any thoughtful, curious reader finds what I do impenetrable, I've failed.
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