A Quote by Tana Mongeau

In the past, I used to sit there and watch every single video and read every single article top to bottom, like, ripping me apart. — © Tana Mongeau
In the past, I used to sit there and watch every single video and read every single article top to bottom, like, ripping me apart.
I saw 'Clueless' probably when I was about 8 or 9 years old. And, I had certain films that I would fall asleep so it was 'Clueless' for quite a long time, and I used to just watch it every single night and knew every single line, every single quote.
When you watch a tea ceremony, every single movement, every single gesture is very calculated. It's very precise, and it's all protocol. It's all a part of the system. And it's almost like they've sacrificed every single thing to make that perfect. It's like their craft.
I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
When I saw Adele, I thought: 'I'll give it an hour before people say I was her,' just because I was fat. When you watch 'X Factor,' you can bet your bottom dollar, every single fat singer sounds like me as far as the judges are concerned. Can you imagine if they did that with every black artist?
In every single job, in every single business, in every single profession - in whatever you do - there can be the satisfaction and the happiness that comes from knowing that what you do is important, that what you do makes a difference in the lives of the people you serve.
In spite of what are unprecedented measures in scale and scope, I can't stand here and say I can save every single job, protect every single business or indeed every single charity. That's just simply not possible.
I'll never read every single book or go to every single place. But I'll die in the trying of it.
Every single team that I've played for, every single person would tell you that I've given it everything every single day.
I read the 'Fargo' hashtag and what people tweeted at me and every article and every comment on every article. I really just ate it up. But I wasn't prepared for hearing what everybody thought of me.
I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.
Coming from the world of animation, every single line counts; every single gesture counts. You put thought into every single one of those things and the way a frame is composed.
I feel like, every single decision I make and every single album I make, it's all about letting go. Letting go of the past and just getting on with it.
Every single character and every single person in real life can all be 16 or 17 years old and maybe live in the same town and go to the same school, but every single girl is experiencing and living a different life. I think that, on the outside, it may seem like there's a lot of similarities, but there's also a lot of differences as well.
Al Jazeera is a representation of, you know, diversity in the Arab world. In our newsroom, we have every single nationality, we have every single, you know, ideology, we have every single background. However, when it comes to the screen, we have one code of ethics and one code of conduct.
If I can stay healthy, then I can wrestle every single week. I want to make every single town that I can, see the whole world, feel every crowd in every arena, and pull those emotional strings. I can't explain what it feels like to be in the center stage connecting with thousands of people, but I'm having the best time doing it.
Every time I throw, I hate to miss. It's like those timing games in the arcades. I win every single time. Guys watch me and they pay me to keep playing.
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