A Quote by Tananarive Due
The great thing about journalism is that there is so much exposure to all kinds of people who can turn up later as characters, whether you intend it or not.
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We [me and Jennifer Salke] talked about the characters and different kinds of families and where are we today. We certainly pitched the gay couple, but we also talked about what it was like to be a single mother with a young daughter, what is it like to be a woman in your 50's who is completely starting over and dating again and having to go online to date again. We talked about the whole spectrum of the characters, but I don't think it ever came up about whether people are ready for it or not.
In fact, Christianity has been one of the great salivations on planet Earth. It's what's necessary in the Middle East. Others have written about it, I think these people need to be forcibly converted to Christianity but I'll get here a little later, I'll move up to that. It's the only thing that can probably turn them into human beings.
My favorite thing about acting is that I can play all kinds of different people. Frankly, I don't consider myself a very interesting person, so the characters I play are usually much more fun.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
I have so much more compassion for journalists and the work that they have to do, in order to do the jobs that they have to do. I am much more in awe of and am celebratory of great journalism when I see it, and I'm much more critical of bad journalism, or crap masquerading as journalism.
I think it's interesting playing characters who are flawed and make mistakes because we all have - no one's just one thing - no one is just bad or just good - so I like finding flawed characters and playing with their redeeming qualities, whether you play it outwardly or not. I think that one of the reasons I'm an actor is that I love people and I love finding out who they are and why they do the things they do, so it is fun to play those kinds of characters.
For an author, the nice characters aren't much fun. What you want are the screwed up characters. You know, the characters that are constantly wondering if what they are doing is the right thing, characters that are not only screwed up but are self-tapping screws. They're doing it for themselves.
Well, the thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human.
How much do people really want to learn? I mean, some people get into a groove and they stay with it indefinitely. And what starts off as a great moment of explosive passion can end up as cabaret 25, 30 years later. It just depends on whether you go and find the right habitat to extend yourself.
I have done great characters in Malayalam, too. In that sense, there was nothing special about my acting as Ambedkar. But I am sure that this is a great venture, and I will get a lot of exposure in India and abroad. I have tried my best to do maximum justice to the character.
People have asked me whether I have a science background. No, but I have a great curiosity about the kinds of things we do on 'Discover.'
In every soap, at the end of the season, relationships end and people leave the show. You look at characters and evaluate whether they're great characters or not, and whether they have a future in the show. And we did all of that.
When you look at all of the male characters on television and in film, it's not like every one of them are the people doing the right thing that you can point to as your own moral compass. We need to have all kinds of characters represented.
Well, that's the great thing about indie film, in general. If it's not subject to the constraints of too much pressure from the studio or marketing, and all of that, you get to actually present fuller characters and you get to have the dark side of the characters. That's usually what gets cut out.
Mostly, I'm drawn to great characters and great worlds that use weird things for their language - whether it's dance, whether it's pop music with Justin Bieber, or whether it's magic.
It's not always expected of filmmakers to do stereotyped stories. But one has to be willing to travel to festivals and hook up with people, engage people intellectually about your passion and the kinds of films that interest you, and sooner or later you find people that have the same affinity that you have.
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