A Quote by Tananarive Due

I believe black characters in fiction are still revolutionary, given our long history of erasure. — © Tananarive Due
I believe black characters in fiction are still revolutionary, given our long history of erasure.
Black History is enjoying the life of our ancestors who paved the way for every African-American. No matter what color you are, the history of Blacks affected everyone; that's why we should cherish and respect Black history. Black history changed America and is continuing to change and shape our country. Black history is about everyone coming together to better themselves and America. Black history is being comfortable in your own skin no matter what color you are. Black history makes me proud of where I came from and where I am going in life.
'America's Dad' is what we called Bill Cosby. And we called him that because, well, what a revolutionary way to put it. Through him, we were thumbing our noses at the long, dreary history for black men in America by elevating this one to a paternal Olympus. In the 1980s, he made the black American family seem 'just like us.'
There's a long history and a pattern of Black athletes - and Black people, period - being told to shut up and accept whatever it is they're given.
It's fair to say that black folks operate under a cloud of invisibility - this too is part of the work, is indeed central to [my photographs]... This invisibility - this erasure out of the complex history of our life and time - is the greatest source of my longing.
Science fiction is the most important literature in the history of the world, because it's the history of ideas, the history of our civilization birthing itself. ...Science fiction is central to everything we've ever done, and people who make fun of science fiction writers don't know what they're talking about.
Revolutionary politics, revolutionary art, and oh, the revolutionary mind, is the dullest thing on earth. When we open a revolutionary review, or read a revolutionary speech, we yawn our heads off. It is true, there is nothing else. Everything is correctly, monotonously, dishearteningly revolutionary. What a stupid word! What a stale fuss!
Black history isn’t a separate history. This is all of our history, this is American history, and we need to understand that. It has such an impact on kids and their values and how they view black people.
The history of black people in America, it's so painful. But throughout all that history there has still been the ability of our community to find love and laughter and joy even in these very painful circumstances. That's why I think in particular black love is so powerful, because it's constantly under attack.
'Confederate,' in all of our minds, will be an alternative-history show. It's a science-fiction show. One of the strengths of science fiction is that it can show us how this history is still with us in a way no strictly realistic drama ever could, whether it were a historical drama or a contemporary drama.
I have a lot of blurring between fiction and non-fiction in so many of my works. For example, my first novel, 'When Nietzsche Wept,' has a great deal of non-fiction in it. I didn't create many characters at all. Almost all of them are historical characters that actually existed.
So much history, if you or I were to write it, could seem a fiction. These separations, these lines that tell us this is fiction or non-fiction, that this is history or this is a novel, are often useless.
The history of blackness is also a history of erasure.
No library of American business achievement is complete without the story of Arthur G. Gaston. . . . Black Titan is a long overdue contribution to the recording of not just black history, but American history.
I've felt pressure to produce long fiction for as long as I've been writing fiction. There's just an incredible bias in the publishing industry toward novels and away from short stories. They're seen as D.O.A. in the marketplace, which seems nuts to me, given that various collections done smashingly and deservedly well in economic terms.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
I know that so many of us hoped that, by electing our first black president, we had turned the page on this chapter in our history. But, despite our best efforts and our highest hopes, America's long struggle with race is far from finished.
This site uses cookies to ensure you get the best experience. More info...
Got it!