A Quote by Tanc Sade

Every audition, I still get nervous. I still get sweaty palms. I don't think that ever goes away. You just get accustomed to it. — © Tanc Sade
Every audition, I still get nervous. I still get sweaty palms. I don't think that ever goes away. You just get accustomed to it.
The feeling I had at 14, getting selected for Everton's Under-15 side - that excitement, pride, all the emotions - it never goes away. It still happens when I'm waiting for the England squad announcement. I'll get sweaty palms, I'll sit and scroll through my inbox, refreshing it continuously making sure that the email comes through.
I need work. I still audition for work. I dont get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.
I need work. I still audition for work. I don't get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
I still get butterflies on the first tee. I still get sweaty hands, and my heart pumps a lot going down the 18th. But I know what winning is all about now, and that's a feeling that I like.
I still get stage fright horribly. I still get nervous. I do tend to find when you're playing characters, often - just for the time you're playing them - there are sides of your personality that get stronger because you draw on them more.
When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.
You still get these waves of doubt that come over you, for example, when you get a bad review or you accept a part and think, 'Oh, God, what have I just accepted? I can't do that.' I don't think that's something that will ever go away in me.
Auditioning is the most terrifying thing I've ever done. There must have been four or five of them where I completely froze up and walked out of the room. My palms get sweaty just thinking about it.
Auditioning is the most terrifying thing Ive ever done. There must have been four or five of them where I completely froze up and walked out of the room. My palms get sweaty just thinking about it.
I think that's part of acting - to still get nervous and control that fear. I don't know how to get rid of that.
I love auditioning. Since “The Notebook” and “Wedding Crashers,” I don’t have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don’t audition. What if they hate what I want to do?
I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
I don't look at people's expressions, because I still get nervous when I play, especially when I first put the harp up there. I just try to tune - it takes me a half-hour to tune, and I get nervous if I look at anybody when I do it.
You get around people who see us away from the track, and it's a pretty big contrast. You're still competitive, and you still want to win everything, but I think in the car, we're focused and passionate all the time. We get outside the car, and we're a lot more relaxed and easygoing, enjoying things away from racing.
If you don't physically age gracefully, it's a bit sad. I think Steven Tyler can get away anything, because he still looks like he did in '73. Especially from row Z backwards in an arena. As long as the Stones keep their hair and don't get fat they'll get away with the wrinkles.
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