A Quote by Tanith Lee

In the usual way I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of "normal" work. In my twenties some of my work for children was published by Macmillan. However, I was twenty-seven before my adult novel, The Birthgrave, was taken by DAW Books in the USA. This enabled me finally to stop doing stupid and soul-killing jobs, and start working day and night as a professional writer. It felt like a rescue from damnation, and still does.
I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of normal work.
I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
After seven years of writing - and working many jobs to support my family - I finally got published.
I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given.
It's my belief that I was a writer - a very hardworking writer - well before I was published. I did care what others thought, and it was embarrassing when people asked me what I had published, so I didn't talk much about writing; rather, I just kept writing.
No strict schedule, but I write nearly daily in my journal. Sometimes I go back and pull out things to give to my characters and my settings in books that I write. But the books themselves are not scheduled. I work on a book when it comes to me, usually about one a year. I spend a lot of time working on it in my head. But getting it published is another matter. So, I have a lot of unpublished manuscripts.
I have published so many books in so many years. I can't complain about any lack of attention. But I've never been placed as a Southern writer, which I really am. So I was happy finally to be published by someone in the South.
Again, we turn down most books that have been self-published unless they have a special track record. We have taken a small number on, however, and sold them to major publishers for a nice sum. But that is an exception to the rule.
I've found a bit of success in my career, and I'm very relieved by it, but the success that comes after a book is published is never as happy as the feeling of writing, of knowing you've written something good, of feeling like you've had a worthwhile day in the chair. That's the best feeling I know, and as soon as writing stops making me feel that way, I'll stop doing it.
My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer.
Most of my work is done before we start shooting, preparation work, so my normal day begins when I start writing, it might even be the night before.
I think the path to becoming a writer has become more through the novel. It's easier to get a novel published than a book of stories, obviously, especially through big publishers.
Being published is not a necessary validation or a path everyone wants to take with their work. Writing—and finishing—a novel is a great thing in itself, whether or not the book is published, or becomes widely-read or not.
I've published over 100 books - and that is divided about 50/50 adult and young adult. Lately, I have been writing more YA, which is such a great genre to write it. I don't have a favourite (I usually say it's the last book I've written), but certain books do stick in the mind. My very first YA novel, The Children of Lir, will always be special to me, and, of course The Alchemyst because it was a series I'd wanted to write for ages.
I guess I'm what you call a slush-piler. I just sent my manuscripts to the slush pile of publishers and hoped for the best. Over seven years, I was rejected seven times on three different books. The fourth attempt was picked up by a small publisher, and I still have great memories of staying up all night, talking to my brother and sisters (my dad called me at 2:30 in the morning because I was overseas).
I tend to turn down books originally published as e-books. As for selling books directly to e-book publishers, I would do so only if all traditional publishers had turned them down.
This site uses cookies to ensure you get the best experience. More info...
Got it!