A Quote by Tanith Lee
I like writing about women, weak and strong, pathetic and heroic. I like writing about men, ditto. And all the variants of men and women, beasts and demons.
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I feel like everyone has a preference. You have women who don't like shorter guys. You have women who like taller guys. You have women who like heavier men. You have women who like smaller men. It's the same thing with men. You have men who prefer lighter women and men who prefer darker women.
I'm not an especially male novelist, but I think men are better at writing about men, and the same is true for women. Reading Saul Bellow is a revelation, but he can't write women. There are exceptions, like Marilynne Robinson's 'Gilead,' but generally, I think it's true.
Among our people, theres not any question about women being strong -- even stronger than men -- they work in the fields right along with the men. When your survival is at stake, you dont have these questions about yourself like middle -- class women do.
They talk about how men are chasers, but women are just like that too. At least a lot of the women that I know, who tend to be ambitious, professionally driven women, they love that. Like seeking something professional that is hard to get, I think they feel the same way about men.
Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life.
Men aren't actively writing women to oppress them, men are writing what they know. I say you can be much better as a woman for women's rights if you just go up there and write your own material.
What I find interesting and heartening, though, is that there does seem to be a shift in the subject matter being written about by women that is doing well in the culture. We're seeing more women writing dystopian fiction, more women writing novels set post-apocalyptic settings, subjects and themes that used to be dominated by men.
Men have no cause to criticize women about the way they are about weddings. Because men are like that about sports, but it never ends. At least women, after the wedding, say it wasn't that big a deal and they're never going to look at the DVD again. Men never stop being crazy about sports.
The hardest thing about being a guy is that women don't accept that you really are just a simple, pathetic, labrador retriever-like creature. That we live in a world were women actually expect you to think thoughtful thoughts, and have real emotions, which we don't have. Having to try to live up to the imaginary ideal that women have of what men are, instead of just being what you are, which is just a pathetic creature, but still.
I grew up around strong women; weak men were pickled and salted. The women wouldn't waste time raising a weak boy.
I really don't see any men sitting in the corner office plotting to keep women out. All the men I know are actively trying to promote women, to get more women involved. These men have wives they care about; they have daughters they desperately care about. So I don't think it's fair to blame men - or I don't think it's accurate to blame men anymore.
'Iraivi' is about women, men, and their priorities. It talks about women's freedom, how men look at it, and how women use it. It's neither preachy, nor is it about women's empowerment.
When it comes to writing characters, whether men or women, I think a good writer writes good characters. I know many men who, for years, have written strong, progressive women characters.
I think women have such rich emotional lives that they are expressive about. I also think they're funny. I like watching strong female characters, and I like writing them. I don't know if it's conscious that I gravitate towards women, but it's certainly evolved that way.
Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men-that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.
People ask me why I write strong women, and I say, 'Well, I don't like stupid ones.' Who would want to read about weak and whiny women? Are they people who assume women are weak and whiny? If so, why do they think that?
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