A Quote by Tanya Saracho
A lot of the time, because we don't have many Latinx scenarios on the landscape, not just in television or film and other media, we haven't gotten the chance to tell our story from our point of view.
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We somehow believe that our point of view is superior, higher than those of the greatest minds either because our point of view is that of our time, and our time, being later than the time of the greatest minds, can be presumed to be superior to their times; or else because we believe that each the greatest minds was right from his point of view, but not, as he claims, simply right.
In America, we have so many movies and so much media about the Islamic world, the sub-continental world, but it's not a conversation, it's a monologue. It's always from one point of view. 'If we don't tell our own stories, no one will tell them' is my mantra.
What I've learned as we've gotten bigger is that it's really, really important for us to take all the opportunities to tell our story, because as we grow and have a bigger impact on cities, if we don't tell our story, somebody else will.
Every story has a point of view and whether it's by what one chooses to include or exclude from a story or whether it's a very specific agenda that is pushed, there is no such thing as objective media. Once you realize that it's more than just a marketplace of ideas, it's a battleground of ideas that are suppressed and the ideas that are pushed forward in the mainstream media are the ones that independent media has a chance to address. I think that the democratization of media in that way can be very helpful in allowing the truth to come out in a way that it might not on CNN or FOX.
If you want the film [La La Land ] to represent all things jazz, it does not. You'll be disappointed by that. But, if you just see it as one guy's point of view, one filmmaker's point of view, and one story among many stories that can be told about jazz, then it's not as much of an issue.
You witness the artists acting as witnesses, but they provide a point of view that's less monolithic. It's less official in a certain way. Many artists are speaking in the first person singular, as a reaction to dubbed-over media commentary. The thought is: "Enough with how we're represented by the media. Let me tell the story."
Our point isn't to make an examination of popular film but to illustrate that the yearning for a heroic adventure lies just beneath the surface of our consciousness; film, television, literature, sports, and travel are in a sense vicarious adventures.
What's so great about television. You're able to tell a long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
That's what's so great about television. You're able to tell this long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
We're all looking from the point of view of our own reality tunnels. And when we begin to realize that we're all looking from the point of view of our own reality tunnels, we find that it is much easier to understand where other people are coming from. All the ones who don't have the same reality tunnel as us do not seem ignorant, or deliberately perverse, or lying, or hypnotized by some mad ideology, they just have a different reality tunnel. And every reality tunnel might tell us something interesting about our world, if we're willing to listen.
We try to guide with a light touch. Sometimes we can be helpful, and my goal with my team, both on the series side and on the film side, is that the collaboration should always be invited. In other words, we're not looking to impose our view on the filmmaker; we hire a storyteller because we love the story, and we love their ability to tell it.
Just as our view of work affects our real experience of it, so too does our view of leisure. If our mindset conceives of free time, hobby time, or family time as non-productive, then we will, in fact, make it a waste of time.
Most young people make films to be accepted, to be discovered, when in fact that was the last idea with the group I went to film school with. To be discovered was not our intention. Our intention was to tell our story our way, and make our own mistakes and learn from film to film.
From our point of view, the most exciting thing would be if we discovered something really fundamental in our understanding was just off a bit - and that now we have a chance to revisit it
From our point of view, the most exciting thing would be if we discovered something really fundamental in our understanding was just off a bit - and that now we have a chance to revisit it.
Today the thing I find myself thinking about the most is our landscape...I think it's something a lot of us take for granted; for many of us Australia is just there but how many of us have really seen it, have seen Kakadu or Kings Canyon? I know I hope to at some stage, to see Uluru at sunset and the ancient art in the Abrakurrie caves. I think it's our landscape which defines our identity and it's what I'm most grateful for.
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