A Quote by Tanya Saracho
I'm very conscious of who I work with. Because I want to develop and nurture my writers so they can have their own shows, take on whatever is next for them.
Related Quotes
It is what makes conscious of the conditions and laws of observing which applied in this manner become a theme on its own. The activity of consciousness depending on the way the work itself proceeds, becomes the subject of my attention this way and it is precisely because of this voyeuristic attitude toward the own observation and experience of the subject that the conscious analytic dimension in the work shows.
All the studios are owned by multinational corporations, which are not usually bastions of the left. So all the actors, writers, and directors - or at least a great majority of them - live in fear because we're all insecure, we all want that next job, we all want to be loved, and we don't want to piss off some studio chief who won't hire us for the next movie.
Relationships are very good at making you more conscious of yourself. Especially as you get older, you develop a crust around your madnesses and shortcomings that take someone else to recognize them.
I've been very selfish and the women in my life have hated that because of my work ethic. I try not to bring my work home but the next day I want to go prepared. So okay let's have a few moments of camaraderie whatever... okay great! I go work on the script.
Any first lady can do whatever they want to do. In this country, people expect them to work on whatever they want or to have a career of their own.
I don't know what will happen to the physical book and what it will mean for authors. I worry whether it will mean people can still make their careers this way. Will whatever comes next allow people to be able to own their ideas and be able to take time to develop them?
What politicians want and what creative writers want will always be profoundly different, because I'm afraid all politicians, of whatever hue, want propaganda, and writers want the truth, and they're not compatible.
When I come up against a director who has a concept that I don't agree with, or maybe I just haven't thought of it or whatever, I'd be more prone to go with them than my own because I want to be out of control as an actor, I want them to have the control, otherwise it's going to become predictably my work, and that's not fun.
For our children, you want them to build their own self-esteem and their own self-confidence. For your own child. You don't want it to come from somebody else because, if it does, that same person can take it away. You want them to learn the grind.
In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself.
When I first came to Bellator, I wanted to take it back to what we accomplished at Strikeforce and look at the next generation. So we signed the Aaron Picos of the world and put them in our development programme to nurture them.
Cats are impossible to work with. They're just very difficult because you can't really train them. They're not really interested in whatever you want them to do. Dogs want to please you; cats only want to please themselves.
Cheers was one of the first shows where I paid attention to the writers because their [work] was better than everything else I was watching. The writers weren't afraid to let a joke fall slightly flat if it advanced the characters.
It was immaterial to me that Elvis didn't write his own songs. Those were very different days, and he selected whatever suited him best from material supplied by publishing houses and teams of writers - all of whom were extremely conscious of his style of delivery.
One should take writers' valuations of their own work with a pinch of salt: they are likely to rank them differently tomorrow.
I made a conscious effort that I just wanted to work with people that were going to make me better and that was the main thing - writers, directors, in whatever medium.
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