A Quote by Tao Lin
My publisher had mailed [Bret Easton Ellis] Richard Yates. And when I talked to him he said he had read all my prose books. And he said something like, "You got a lot of mileage out of Dakota Fanning."
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Bret Easton Ellis is a social satirist; I consider myself aligned with how he does things. Bret doesn't write about that which he loves about the world, he writes about what disgusts him. You'd be a disturbed individual if you came out and said, 'I love these characters'.
I know Bret Easton Ellis has said he has some amount of empathy for every character he has written about, though, so maybe I am similar to him in terms of that. I'm not sure what he thinks exactly.
I think Bret Easton Ellis has said that he doesn't completely identify with his characters. And I think he has referred to them as immoral before.
I like to read biographies of authors that I love, like Richard Yates. I also like to see what non-fiction authors are out there. My bible is Something Happened. It's one of the greatest books I've ever read. But if I don't read a Dostoevsky soon I'm going to kill myself.
Sometimes I would take Nietzsche or something. And I wouldn't read it, but more just scan the words. Sometimes I would get whatever the popular thing at the time was. I don't know, something like Bret Easton Ellis. It was just a very random, inefficient education.
We had tried to get a couple books that were written about Ray Kroc, and one of the books, we called the publisher. The publisher actually said, "Call McDonald."
As a piece of writing, The Elementary Particles feels like a bad, self-conscious pastiche of Camus, Foucault and Bret Easton Ellis. And as a philosophical tract, it evinces a fiercely nihilistic, anti-humanistic vision built upon gross generalizations and ridiculously phony logic. It is a deeply repugnant read.
The last time I talked to Axl was in 1996. That was the last time we exchanged any sort of words. There was a rumor that I talked to him a while back [and asked to rejoin the band]. I did go to his house one night, and I talked to his assistant about something that had to do with this lawsuit that we were involved in. But it got turned into something else. He went out and made a press release that said I actually spoke to him, which was all bullshit. I was really shocked.
I remain a fan of my friend Bret Easton Ellis's 'American Psycho.' I think as a book about New York in the '80s it was pretty excellent.
I read an interview with Daniel Woodrell once where he said something like, basically, if people had said what they said to him in a bar instead of workshop, he would have punched them...and I finally understood that when in a class with my wife. Every time someone said something about her work, I wanted to climb across the table and stab them in the neck with my pen. And these were people I liked and respected.
When I talked to him earlier, he said he had to work tonight,” Peter explained, “but that we should go ahead and draw for him.” “Draw?” I asked uneasily. “Oh Lord. Tell me it’s not Pictionary night too.” Peter sighed wearily. “Draw for secret Santas. Do you even read the e-mails I send?” “Secret Santas? Seems like we just did that,” I said. “Yeah, a year ago,” said Peter. “Just like we do very Christmas.
When I was first diagnosed, I went out, as a book person, and got some books on cancer and looked up my version of the disease. It said that I had about a 5 percent chance of survival. I said, 'Gosh, well, it's been a good run.' What I didn't realize is that in the two years since those books were published, things had shifted dramatically.
I knew Richard E. Grant, and I went to him and said "Would you like to [play Kafka in the film]?" and he said yeah, and then suddenly I had all these people who were happy to come along. We got a little bit of money from Scottish Screen to pay for it. I got so many favors because I knew people in the business. I was in a remarkably good position. I got so many favors from people. I got the Monty Python technical people.
Dr. Strauss said I had something that was very good. He said I had a good motor-vation. I never ever knew I had that. I felt proud when he said that not every body with an eye-q of 68 had that thing. I don't know what it is or where I got it but he said Algernon had it too. Algernons motor-vation is the cheese they put in his box. But it can't be that because I didn't eat any cheese last week.
As far as fiction goes, as far as everything from Dr. Seuss to Oscar Wilde to Bret Easton Ellis. Ray Bradbury. There's just tons of stuff that I love. Neil Gaiman!
I like Bret Easton Ellis' sense of humor. I feel like mine is sometimes similar to his. And how his characters sometimes seem really confused in a humorous manner. I like that. And I have that sometimes in my characters.
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