A Quote by Tao Lin

I think mostly the commodifying comes after I've done something that has some other value to me. — © Tao Lin
I think mostly the commodifying comes after I've done something that has some other value to me.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
There's always something - especially after a loss - that you look back and think you could've done better, whether it's running routes or getting some extra yards after a catch.
I haven't done much press for many reasons, but mostly because it's not an interesting dialogue about work that's been done. It's turned into something else. It's become this ridiculous other thing.
. . . But experience has taught me that you cannot value dreams according to the odds of their coming true. Their real value is instirring within us the will to aspire. That will, wherever it finally leads, does at least move you forward. And after a time you may recognize That the proper measure of success is not how much you've closed the distance to some far-off goal but the quality of what you've done today.
I don't get angry very often, but there have been times when I have been frustrated with myself, maybe after playing a bad shot, after getting out, I have done some damage to some equipment of mine. Once or twice in the course of 20 years - I think you can allow me that at least.
I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.
If you're doing something like 'Arcadia' by Tom Stoppard, which has been done millions and millions of times, and it's been played some unbelievably well-respected actors, there's a lot more pressure there. But I try not to think about all the other people who have done it before me. You've got to try and be original.
If I am adding value as an actor to something that's offered to me on television, why not to do it? But it must challenge me and I must add some value to it.
I think a lot of scapegoating has been done on NAFTA. The reality is, a lot of the jobs have been lost mostly to technology. And that is something that happens well beyond the reach of NAFTA or any other trade agreement.
Despite my belief that somehow my work would get me where I wanted to be, there was still some kind of fathomless yearning. Yes, my career aspirations were always goading me. But partially, I think I tried to let those dreams replace or become the other yearning, to have that other form of value.
I think that when I was child, acting was mostly just a hobby for me. It was something that my parents encouraged me to think of the way that my brothers thought of their cross-country classes, or my little sister to dance classes and art classes, and it was something like that for me.
I don't think of music as being a competition - what I make is exactly what I want it to be for me, and it's not better or worse than anything else. I'm just trying to be the best at what I am, or that I possibly can be. And when I've done that, I feel incredibly confident and there's nothing anyone can see to dampen that, but I don't think that because it means something to me, it has to necessarily mean something to other people.
I think probably when I was little, after my brother turned on me, I just had to play by myself or with myself. I've always done that. I think either it's some kind of weirdly competitive streak or it takes my mind off whatever's bothering me.
I always write after I think for quite a long time, so the actual writing time is rather short. I think a lot of the work gets done when you have something on your mind while you're doing many other things.
The available supply of gold and silver being wholly inadequate to permit the issuance of coins of intrinsic value or paper currency convertible into coin of intrinsic value or paper currency convertible into coin in the volume required to serve the needs of the People, some other basis for the issue of currency must be developed, and some means other than that of convertibility into coin must be developed to prevent undue fluctuation in the value of paper currency or any other substitute for money intrinsic value that may come into use.
When you say 'Yes' or promise something, you can very easily deceive yourself and others also, as if you had already done what you promised. It is easy to think that by making a promise you have at least done part of what you promised to do, as if the promise itself were something of value. Not at all! In fact, when you do not do what you promise, it is a long way back to the truth.
This site uses cookies to ensure you get the best experience. More info...
Got it!