A Quote by Tara Reid
You know, it actually can happen. I mean, the chances of it happening are very rare, but it can happen actually. Which is crazy. Not that it—the chances of it are, like, you know, it's like probably ‘pigs could fly.' Like, I don't think pigs could fly, but actually sharks could be stuck in tornados. There could be a sharknado.
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If pigs could fly, yes, of course I would vote for the Democratic Party, but pigs don't fly.
It is not like I have gone crazy, I just don't want to take any chances. You never know what could happen.
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
One of my most persistent, long-term fantasy wishes is not that I could fly or become invisible, but that I could make sound recording be invented decades or even centuries earlier than it was, so I could hear what people in the 1830s or 1750s actually sounded like.
Have you ever felt a potential love for someone? Like, you don't actually love them and you know you don't, but you know you could. You realise that you could easily fall in love with them. It's almost like the bud of a flower, ready to blossom but it's just not quite there yet. And you like them a lot, you really do. You think about them often, but you don't love them. You could, though. You know you could.
V is like a mythical situation. It's an allegory for what could happen. V has philosophies within it that actually warn against things like that happening.
It's not like we have a choice. We can't let what's happening happen. I mean, I've heard stories that are so horrible. I mean, people are killing themselves while they're waiting on line because they can't - you know, they know it's days and days before they can have what could be a simple procedure, what could be a simple prescription.
Animals are not cute. They are disturbing. Pigs do eat their young. Actually, I hate pigs. I just happen to have some who are friends of mine.
I think it's good for the fans, as well, because they get to connect with you directly. You know, in the old days, if I wanted to, like, write to (Steven) Spielberg or Sam Raimi or whatever, I'm not sure I could actually write a fan mail and (I'd) have no idea where to actually send it. Nowadays, you can just, like, follow Ashton (Kutcher who still has among the most followers on Twitter) or, like, friend someone, you know, on Facebook, and you can actually just say, "Hey, I like your stuff."
I could actually be somebody that, if you showed me new gun-control legislation could help solve this problem, I might actually be able to support something like that.
Beginnings could happen more than once or in different ways. You could think you were starting something afresh, when actually what you were doing was carrying on as before. He had faced his shortcomings and overcome them and so the real business of walking was happening only now.
I created a paradigm by which I could succeed, and up until recently it was the only way I could do it. I could not take the brunt of standing in the light of my own work. There was a Faustian bargain I could not make. I could have you mock me for wearing funny clothes that I could deal with. But I couldn't deal with actually standing in the light of my own musical power. That's the difference now. It's like, okay, no more of that, you're done.
I didn’t know I could do that. I mean I knew I could do that before, but I didn’t know it was actually working now until you screamed. I thought I was just imagining it. And don’t give me that look…sorry? (Xypher)
Imaginary testing is unreliable, and in many cases, it's a huge waste of time and energy. In truth you just don't know what will happen until you try. You may start a business, and it could take off in ways no one could predict. Or it could be a complete failure. You could ask for a date and end up with the partner of your dreams. Or you could be rejected cold. It's great to visualize what you want, but you never really know what's going to happen until you act.
Y'know, I think, inherently, when you hear something like a teenage narrative come into play, even the idea that it's being called 'teenage' is a notion that it's being reduced to a problem that's not quite adult. That's a problematic thing to say about a narrative that could actually be dangerous, could be hurtful, could be upsetting.
He took her hand and they started walking toward the baggage claim. They didn't say anything to each other. They swung their held hands like little kids, like they believed anything could happen, like they might take off soaring into the air. All the things you wanted to happen could happen. Why not?
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