A Quote by Tara Reid

Once you get to know me, you would know in a second that I am an East Coast girl. You can tell because I'm not flaky, and I will tell you how it is. I also walk faster than they walk in L.A.
You know,” Cole said. “My mom once told me a boy would know he’d become a man when he stopped putting himself first. She said a girl would come along and I wouldn’t be able to get her out of my mind. She said this girl would frustrate me, confuse me, and challenge me, but she would also make me do whatever was necessary to be a better man–the man she needed. With you, I want to be better. I want to be what you need. Tell me what you need.
The first space walk, it's really got your attention. You know you're travelling eight times faster than a rifle bullet, and you're outside. Second space walk, you're a lot more relaxed, you're looking over your shoulder, admiring the view of Earth. What was funny about the third space walk was that mission control in Houston called and said, "Take a moment and enjoy the view".
I think we were all honestly very surprised at how the car community took it all and how often it is that people will walk up to me and tell me 'your brother's the reason I'm into cars.' I didn't have a grasp of that. And I know Paul didn't.
I've enjoyed appearing in Atlantic City. East Coast audiences are a bit brighter than Las Vegas audiences. I think most entertainers will tell you the same thing. The East Coast audiences are more perceptive - especially when it comes to a performer with a theatrical background.
I direct as an actor. Many times, I will say, 'Let me try this.' And I'll walk the scene through and see what I can tell the actor about it. I don't know what to tell him until I've actually tried it and seen what the problem is.
I don’t want to love him—this would be so much simpler if I didn’t. But I do. He’s funny, and passionate, and strong, and he believes in me more than I even believe in myself. When he looks at me, I feel like I could take on the whole world and come out standing tall. I like myself better when I’m with him, because of how he sees me. He makes me feel beautiful and powerful, like I’m the most important thing in the world, and I don’t know how to walk away from that. I don’t know how to walk away from him.
When the first record came out, I'd go down to radio stations pretty much every day to get the record played, and I would walk in and they'd tell us how much they loved the record, but they weren't sure how much they could play it because they were already playing a girl.
When I ask, “How are you?” that is really what I want to know. I am not asking how many items are on your to-do list, nor asking how many items are in your inbox. I want to know how your heart is doing, at this very moment. Tell me. Tell me your heart is joyous, tell me your heart is aching, tell me your heart is sad, tell me your heart craves a human touch. Examine your own heart, explore your soul, and then tell me something about your heart and your soul.
I'm in California, so I know people who are natives who tell me there's lots of weather here, but it's not the same as being in Vermont. Since I grew up on the East Coast I miss that weather all the time. You'd think I'd get used to not having it, but I don't.
I don't like being told that's where you, you know, if you walk on set and somebody was "okay, you're here and you're going to walk over there on this line." And my reaction is always how do you know? How do you know that's what I'm going to do? How do any of us know?
Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying. It's like teaching a child to walk. It may start by walking, but eventually it will fall. And I have kids, but I know that that will enable them to stand up again and understand why they fell, and how they can avoid that. They will walk better and faster, and stronger. Filmmaking is the same.
You can't assume anything in politics. That's why every Saturday I walk around my district. I talk to the longshoremen in Charlestown. I listen to the people in East Boston and their concern on the airport noise. I walk down to the Star Market in Porter Square, and people tell me about meat prices.
I never have people tell me their stories. I usually have to figure them out myself. Because I know that if people tell me stories, they will expect them to be remembered. And I cannot guarantee that. There is no way to know if the stories stay after I'm gone. And how devastating would it be to confide in someone and have the confidence disappear? I don't want to be responsible for that.
Pretending is the grease of non-relationships. Pretending is how you and I get through the day without ever having to know each other. When I walk in the room, you say to me, 'How are you?' Well, you don't want to know. And, frankly, I don't want to tell you. So I just say, 'Fine,' and you go, 'Fine.' And off we go.
Why do you tell me... so much?" Luthe considered her. "I tell you... some you need to know, and some you have earned the right to know, and some it won't hurt you to know--" He stopped.... "Some things I tell you only because I wish to tell them to you.
I now have faith in those who say they represent a faith. Whereas before I was like, 'Do not give me a lecture on how to live my life when I know I'm a pretty decent human being. I might not go to church every day, but I know I do the right thing or try to. You're going to church and you're still sleeping around on your wife and spending everyone's money. How are you better than I am?' So I've finally met people that walk the walk and it's made me happy, really happy.
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