A Quote by Taraji P. Henson

I like to be scared. I don't like feeling like "Oh, this is going to be a walk in the park". If I ever get to that place, I'll just stop acting. — © Taraji P. Henson
I like to be scared. I don't like feeling like "Oh, this is going to be a walk in the park". If I ever get to that place, I'll just stop acting.
My first ten fights or so it was like that. I was just so scared. You can see if you go back and watch them that there are moments where I just stop and look around, like, what's going on here? I was so scared for all those fights.
People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.
My first date ever, I was kind of nervous, so I was like, 'I'm going to bring Brady to this walk on the beach with this girl,' and she was like, 'Oh my gosh, I have a King Charles Cavalier, too.' I'm like, 'Money, perfect, amazing.'
I don't like the feeling of being unhappy. I don't like the feeling of being unsure about myself, or uncertain with where something's going - I would rather turn away. I just can't feel like that ever again. It's just horrible.
Oh, no. I don't think I've ever really subscribed to that view, that you can turn it on and off like a water tap. Um, you know, I think that there's a whole lot that goes into the makeup of an individual that, uh, you just can't simply say, oh, like, "Tomorrow morning I'm gonna stop being gay." It's like saying, "Tomorrow morning I'm gonna stop being black."
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
I feel like I just have such the blood and bones of a New Yorker that I can almost imagine better, like, giving up the fight and not being able to afford the city and going out West, keeping a small place here, and then when I'm like 80, coming back here, living on the park and going to the theater.
Oh, I shop all over the place, really. Like I love department stores like Barney's and Saks and stuff like that. But I also just like to walk in Soho and find some interesting boutique that doesn't really have a huge name or following, and I'll go in and find something amazing.
Anyone else feel like that? Like your life's a big act. Like you're trying to be a man when you're just a scared kid, trying to keep under control when you really want to scream, cry, or maybe hit someone. Ever feel like you're breathing underwater and you have to stop because you're gulping in too much fluid.
Surfing and music have always been two completely separate things in my life, and a lot of people, especially in the UK, don't really get surfing very much. They think it's the Californian dream. They're like, "Oh, so you're a surfer and you're this and that," and it's like, I go surfing because I like the outdoors. In England it's freezing cold, and it's usually dark and raining and it's the middle of winter, and you do it because it's invigorating. It's like going on a walk in some remote place on the planet. It's really - it's not very glamorous.
When it comes to dates, I just like going to the cinema or having a night in. I can't stand fancy restaurant meals because I just get embarrassed because I'll get food all over myself. Things like bowling, shopping, or going to the park are less awkward.
Theratre is not like like in film and TV, where you have to stop and go back and keep redoing the same three pages for two hours. You get to go through the whole 80 pages of the script, which is incredible. You get to keep acting on the feelings you had just moments before. You don't have to psych yourself up for the scene. You can just go off what you were already feeling.
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
Ant 1: So, uh, do you ever worry that your itsy little neck is just going to snap under the weight of your head? Ant 2: Stop asking me that. You ask me that, like, every five minutes. Ant 1: Sometimes I notice my antennae out of the corner of my eye and I'm all, like: AHH! Something is on me! Get it off! Get it off! Ant 2: Yeah, the antennae again. Listen, I just remembered, I have to go walk around aimlessly now.
The first thing I remember was going up to Celtic Park to watch Celtic, feeling the full effect of the stadium. When you see the players on the park for the first time, you get sucked in and it's like a dream.
When I realized I could actually make my decisions, it was a very strange feeling. It's like a switch went off in my brain, like, "Oh, then why am I doing this? I don't enjoy this, so I'm just gonna stop doing this."
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