A Quote by Taran Killam
In my experience, 'SNL' has Lorne Michaels, who is, you know, the captain of the ship and gives the show direction and a singular focus, whereas 'MadTV' - even in my 13 episodes there - had maybe one too many cooks and was a bit more chaotic creatively.
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What's more important to 'SNL': comedy or buzz? To the writers, players and guest hosts, it's probably the former; to Lorne Michaels and the suits at NBC, it's ultimately probably the latter.
I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
Even then, I didn't quite know what to make of it [captain Kirk death]. I was mystified by why I was doing it, why I was so driven to do it, and why it was affecting me like it was. I still don't know what it means. It's a strange singular experience. I don't even know anyone to talk to about it because I don't know anyone who's had that experience.
I've always had a show that went seven episodes or 13 episodes or whatever. And I've never had a show that's gone past a first season. It really is a lot of work.
[Wayne's World and Tommy Boy] was all from hosting Saturday Night Live the first time [in 1990]. I just had such a great time, and I had such a simpatico relationship with Mike Myers. And Lorne [Michaels]. I'll always be grateful for Lorne, who saw me as funny.
The director is the captain of the ship, without question. No matter what their talent or energy level is, everyone on the crew has all eyes on the captain. If they come in going, "I don't know. Maybe we'll do this. Maybe we'll do that," you've got 10 days to shoot and they don't care what you're doing.
I was lucky that when Lorne Michaels came looking for women comedy writers, there weren't too many in New York at the time. I was at the top of a very short list. I think that was all good fortune.
I was lucky that when Lorne Michaels came looking for women comedy writers, there werent too many in New York at the time. I was at the top of a very short list. I think that was all good fortune.
When I started as an assistant at 'SNL,' I got my eyes on Kristen Wiig and was able to bring her for an audition for Lorne Michaels and the other producers. Turns out, Kristen Wiig can give you some street cred early on.
Yeah, I'd done a bunch of pilots. Some that had gone for a while. One that went for 13 episodes. But I had never been on a show that had lasted more than that.
Cable shows do 13 episodes. I get that. I can wrap my head around 13 episodes. You make them all, you post them all, and then you get to air them. The network cycle is way more intense. There's more episodes.
'Saturday Night Live' was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
Saturday Night Live was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
Maybe these kids are just too young and too dumb to know about the first 13. Maybe they can't comprehend that the Braves have only won one World Series in those 13 years.
On 'Taxi,' I had the great fortune of directing many wonderful episodes, none more classic than Reverend Jim's driving test. It was maybe the funniest show I did.
I watched Master Class with Lorne Michaels on OWN. How can somebody produce a sketch show and talk for an hour and not say something even slightly amusing, or sarcastic, or ironic, or interesting, or informative? 'My mission as a producer is to encourage creativity.' Mission accomplished.
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