A Quote by Tarja Turunen
Actually, the whole thing of being a solo artist has been such a learning process for me. Since I departed from my previous band, NIGHTWISH, it was the whole beginning of my career, there was stuff in the air. I had to learn so much.
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The biggest challenge was the whole learning curve of being solo artist. I've been in bands for so long that being a solo artist was completely new thing.
My whole premise has been, right from the beginning, that it would take me a lifetime to learn to explain myself as an artist. As you grow older, you learn what to do and what to leave out. You kind of simplify your work and get the same thing done with fewer strokes. It's pretty interesting to me.
Stay focused. You gotta believe in yourself. I think that's the biggest thing I've been able to do throughout my whole career, even before I actually had a big career in this industry.
You only learn when you give your whole being to something. When you give your whole being to mathematics,you learn; but when you are in a state of contradiction, when you do not want to learn but are forced to learn, then it becomes merely a process of accumulation. To learn is like reading a novel with innumerable characters; it requires your full attention, not contradictory attention.
I started this whole endeavor really. And at the beginning we had the selection in Italy. And that was pretty much among people that had held previous experience in that particular satellite. So, I was in that, in a good position then.
I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.
In the beginning of my career I had to deal with the fact that since I was the only woman in the band, the singer and the face of the band, I obviously got the most of the attention of the public everywhere I went.
I had already been making music for my whole high school life, and '10 Day,' which took me a whole year to finish, was about working with a lot of different producers and learning all of the aspects about being a rapper, from shows to recording to studio etiquette to marketing.
I had watched Magic my whole career, even before my career, and so I knew the style of player that he was, and I knew what I had to do to prohibit him from being as effective on the basketball court as he had been throughout his career.
Somebody told me about a band that works out their whole set as if it was one song. They learn the whole set as one piece, so they know how the dynamics of it work. It's really difficult to do, and you can only really do it while you're on tour, as being in a rehearsal studio is not the same as being on stage in front of an audience.
When I do my solo concerts, I'm used to being on the stage for two hours solid, singing 16 songs. And when I did 'Funny Thing,' I was on the stage the whole time. This is much more difficult. It's the difference between racing and sprinting. This is sprinting. And I have to learn to pace myself.
Each individual's success as a solo artist is pretty much a win for the whole team.
The thing for me is I never had this burning desire to do a solo record my whole life.
To me, the whole thing with the roots of rap music was when the DJ had to supply all the music for the group with two turntables. And the whole criteria of what that DJ would use had nothing to do with what type of band made a record.
Both the guys in Nightwish and I have experiences with previous band breakups and all emotions that come with it. It's almost like dating.
I've actually thought very little about solo work up until just very recently. Most of it is because in my band, Incubus, it is very much a collaborative effort. I do what I do in the band, and everyone plays their respective parts, but in the end, we are sort of a democratic process.
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