A Quote by Tarkan
My fans -- when I see them somewhere, outside my concerts -- I get that, that vibe. They're really supporting my projects and everything, because it's a first time that a Turkish singer is, you know, able to express himself out of Turkey.
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If you're a singer, you do concerts, and you get that interaction with fans and see what cities in what part of the world come out to see you. When you're on television, you're removed from that.
If youre a singer, you do concerts, and you get that interaction with fans and see what cities in what part of the world come out to see you. When youre on television, youre removed from that.
I would just like to say thank you to each one of my fans for supporting me all these years and continuing to come to the concerts and buy my music. I owe them everything.
I wanted to be a singer, of course, but there was something about the songwriting, then and now, that is the most important thing. It's how I express myself, how I express how I see things. When I see people struggling with emotions and feelings and don't know how to put it down, I'm able to do that. It's really like a therapy, and it's like a buddy and a friend. It's a way out of a lot of things.
It's really one of my all-time favorite things to do. To go out and really see the kids and visit the moms who are in these programs because I think I really get to see what happens on the ground and connect with them about what changes are that happen in their lives because of some of the giving that we're able to do.
When I say all of this stuff about Turkey, people don't understand. They think I don't like Turkey. I love Turkey. I love my people. I love Turkish food and everything. But my problem is with the government.
The more you get to know a person, the more attractive they become to you. Because everything beautiful you see on the inside of them, suddenly you see on the outside of them, too.
What we try to do in TSAW, which is Tasha Smith Actors Workshop, is to help the actor get to the core of who they really are and how they really feel. So, we may have them do a dump, where you just basically express everything that you feel that you have not been able to express, whether it's good, bad, or ugly.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
It's funny because a lot of people that know me as a dancer, don't know that I'm a singer, and a lot of people that know I can sing don't know I can dance. And so, I feel like at some point I have to show them both and really be able to display it and showcase it, and put that out there.
I'm always going to be able to touch fans and get new fans because everybody goes through something everyday. I just keep touching different subjects by talking to the streets and reaching out to my fans by telling them a story instead of just giving them music to listen.
To be honest, everything in my life outside of tennis is great. I'm doing amazing projects that, if I didn't have time off, I wouldn't be able to focus on.
As a player on the bench, you become like a fan really. You're sitting there shouting 'why did he do that?' or 'no don't pass it there' and I can see why fans get so frustrated. But then I remember what it is like being out there on the pitch and how players can't see everything that fans can see.
I was sort of retired, you could say. During that process, I was recording here and there. I put out several songs expressing myself to the fans and letting them know of my whereabouts and what I was doing. I gave them insight into my situation. To my surprise, the fans have been very supporting and understanding.
Panorama is the first word for landscape in Greek. It was about [how today] we see everything, we get to see everything, everything is shown to you whether you want it or not, but all of the time you only see fragments of reality. The big picture we really don't see; it's kind of hard to make it up.
When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them.
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