A Quote by Taron Egerton

Brie Larson's performance in 'Room' was pretty incredible. — © Taron Egerton
Brie Larson's performance in 'Room' was pretty incredible.
Lenny Abrahamson is really the only threat to [Alejandro González ] Iñárritu, simply because the entire act one of Room is amazing. I believe Brie Larson is absolutely deserving of her nomination [for Actress in a Leading Role]. I'm not sure if she's going to win, but I think this is a big moment for Brie Larson, I think her trajectory is going to go straight up.
Brie Larson had a great run, don't get me wrong, she's had amazing films, but this movie itself, the entire concept of it as her as a mother and coming back and trying to assimilate herself in the child's life - Room is a beautiful movie.
The first time Brie Larson was really on our radar as somebody who we wanted to work with was 'Short Term 12.'
My identity was tangled up in the parts that I had played since I was a child. I would go through my closet and only see audition clothes: Brie looking older, Brie looking '60s, Brie looking '40s, Brie looking younger in the future.
For Brie and I - we were just 'model tired.' I was told to get a boob job; I was told to lose weight. Brie and I had a big struggle... Brie and I legit hopped in our cars, went to Georgia, jumped in a ring, and said, 'Hey, you're going to sign us. We want to be here.' I know everyone thinks it was really easy for us, but it wasn't.
The thing I find really special in performance is that there is this slightly mystical thing that takes over when you're responding to a crowd and engaging in people's imaginations collectively in a room. I've always thought that one of the most incredible things about being alive is going to see some kind of performance like that.
The best parenting advice I actually got was from Shane McMahon. He was great with me when Brie was pregnant and all that. He said, 'When you have that baby, make sure you take care of Brie first.'
When I'm sitting in bed watching 'Chopped' - that Brie I know. But I don't know the Brie in sky-high heels on a carpet with a bunch of people screaming at me. I wonder what she's like.
It's an incredible feeling when you look across the dressing room and see Andres, Leo, Luis and Sergio Busquets, and everyone else. They are players I used to watch on TV or play with on PlayStation, and now I am sharing the same dressing room. It's incredible for me.
There's the historical part of The Beach Boys' music; it's pretty incredible, pretty vast and pretty varied too.
In some of the greatest recordings ever made, the performance is a part of the recording. Dylan's 'Rainy Day Women No. 12 and 35' is all about the esthetic of that performance. You can hear the room.
When you are acting in a film, you have no idea what scene the editor is going to choose. For instance, after you have directed, you feel more comfortable delivering a performance. Because you know the real performance is put together in the editing room.
America's unique ability to change and be super flexible is pretty dope, man. It's pretty incredible. And that's what I want to contribute to.
Lindsey [Buckingham] and I went up to Aspen and we went to somebody's incredible house and they had a piano and I had my guitar with me and I went in their living room, looking out over the incredible Aspen sky and I wrote 'Landslide.'
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
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