A Quote by Taryn Manning

I've made money doing things I love. DJing was a hobby. When I bought my turntables my mom said, "Oh what now, Taryn?" But it became pretty fruitful right away. I come from a very music-oriented family.
I certainly considered DJing. I bought four vinyls, and I bought some turntables, and I was like, 'Um. Yeah. I'm not gonna do this. This is not my thing.'
Even though my dad came from a family that was very religious, he was actually the first one who bought and let me play with Barbies. My mom, the first makeup I ever used was hers, and she never once said, 'Oh, you're so gay for doing that.'
I have walked away from enormous amounts of money and I have made that life I have wanted somewhat in this business. I love doing independent film, I love doing theater, I love doing studio films, and I do all three now.
In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the - they've had a whole series now of these things called Kaoss Pads. They're wonderful because they do get your muscles working again. And what DJs do, of course, with their DJ turntables now, the CD turntables, which have pitch change and speed change and everything else. They're doing something that I think is interestingly physical.
Music is more of a hobby to me than my hobbies, if that makes sense. I love music; my dad and brother were very musical, and music just happens to be one of my hobbies that became my vocation.
When I moved to London, I was working on music - producing, writing - and that's where I discovered DJing. I started partying every night because I just needed to dance and enjoy music and forget about things, and that's when I started to notice DJing is the best job in the world. I honestly believed I could do it very well.
A couple of years ago, my wife, Erica, and I were getting our daughter ready for school and an image of President [Barack] Obama was on one of the morning shows. And I said, oh, look, Carina, there's the president. You can be president one day. And she said, right away, that's for boys. And so right away I said, oh, no, you can be a doctor. You can be a lawyer. You can be anything you want. You can be president.
I run into people from the Lehigh Valley and Allentown all over the world, and they're obviously doing pretty well. They say, "Oh, it's pretty nice there now and there's a lot of new businesses that have come into the area." Nobody's telling me, "Yeah, I left." Everybody says, "You know, I'm there. It's great. It's really nice there, and you made our town famous."
'Tapestry' was the first album my mom ever bought with her own money when she was 14. So, needless to say, it was a staple in the household, at least when my mom was choosing the music.
I made a lot of money with the Chinese, and I know the Chinese very well. By the way, they don't love us. I will tell you that. Just in case anybody has any question. They don't. They always say, "Oh, but they have our debt." Think of it they take our money and then they loan it back to us and we have to pay 'em interest. It's very... It would be something to solve very easily, if you have the right messenger. We don't have the right messenger. Barack Obama is the wrong messenger.
If you play music for the right reasons, the rest of the things will come. The right reason to play music is that you love it. That's why I play music. I never imagined that I was going to be doing this, especially because I never thought of myself as an instrumentalist.
I have no idea what was the first record I ever bought, but I think I asked my mom to buy me... um... a collection of Beethoven when I was a little girl because I became very addicted to his music. It might have been piano sonatas.
Because music wasn't free yet, they wouldn't really offer MP3s so you had to buy things to see if you liked it or not. Which is crazy if you think about how much music you bought and then didn't even like the stuff. It was a different world where bands made money off their music.
Miles Davis came in a couple of days and said, "Oh, man, I love that. Keep going." So he said, "Let me know when you need trumpet." And he came in, and he was sitting there, and I was very intimidated, because now he's going to play the trumpet on something that I wrote." He starts to play, and I go, "That's not right, but I don't know how to tell him it's not right." Finally he goes, "When are you going to tell me what to do?" He said, "This is your music. I know you know how it's supposed to sound. Stop fooling around. We don't have time."
If I was a young director starting off, there's so many tools at your disposal now to do things relatively inexpensively that it's a great time to learn your chops and do some cool music videos. If I started all over again, I'd still be doing music videos, I'd just be doing them very differently. It's very difficult for me to do them now, but for young kids out there that love music and want to tackle a different art form - and I do think music video is an art form - that's a very cool thing to do.
I worked for [Canadian Country Music Hall of Fame inductee] Tommy Hunter. It was a wonderful training program at the CBC, because they made sure they never paid you very much, so you had to do a lot of things, and that way you made some money. [A phone rings.] That's my agent right now telling me I've got a 13 cent residual from Tommy Hunter in 1969.
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