A Quote by Taryn Manning

The Wreckoning is a darker song. But the record is positive. — © Taryn Manning
The Wreckoning is a darker song. But the record is positive.
The Wreckoning is a darker song. But the record is positive
I never want to record something that I'm not proud of just because I think it might be a big hit. There's no positive about that because if you record a song you hate and it's a big hit, then you're singing a song every night that you hate. And if you record a song that you hate and it isn't a hit, then you sold out for no reason.
After we wrote The Wreckoning, our record label did listen.
When I was growing up, you would put on a KISS record or a UFO or Aerosmith record and listen to it from the first song through the last song. It's been so long since a band has put out a record like that.
Here's the way the licensing works ... If you write a song, nobody can record your song before you do without your permission. But, once the song is recorded, they can get what's called a 'compulsory license', and they can record the tune, but they have to pay you royalties.
I work with a lot of production that's really positive and contains a lot of soul stuff. Those instrumentals project the happiness out of me. But, sometimes I get a darker beat, with some dark piano or something... and then I'll do darker tracks.
I have this idealistic and maybe naive thought that almost any song can be anything. If you record one song today, it would maybe be exciting and cool. But I could record the same song next week and it would be something completely different.
Normally what I do is I'll record something that I really like which will be part of a song or an idea. I kind of just record things and then I'm done with them. It takes discipline to actually carve out a song.
I'd never record digitally. It's not because its' a horrible way to record, it's just not the best way to record my music, because my music is rawer, darker and a little more nostalgic.
Reggae is a message of consolation; a message of salvation. The youth are going to the school and they have to listen to the words. The parents have to listen to the words. God has to listen to the words. So, we have to make it positive. If you sing nursery rhymes, it is nothing. You just blow up tomorrow, and the record dies at the same time. But if you give positive words, that song lives forever.
The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.
I learn stuff from making music every time I go in the studio. I'm continuing to try to find new ways to play in a song or be in a song and have a positive impact on a song.
It gets darker and darker and darker, and then Jesus is born.
Ever since I can remember I’ve had positive and negative fan reviews. And whether it was positive or negative it wasn’t always based in reality or what my perception of the music was. But judging from playing these new songs live and my feelings on the record [Scream] – and it’s a great record – there is definitely an audience for it. Also, I don’t really go to clubs so I don’t know what sounds are made there.
Every single day I wrote a song, I was hoping somebody like Luke Bryan, Jason Aldean or whoever would record the song. It's tough to do because there are so many great songwriters in Nashville, and I was lucky enough to get some songs recorded before I got my record deal.
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