A Quote by Taryn Manning
We wanted to write a whole song about partying and then taking Yellow Cabs home. That's the weirdest topic we've ever thought of centering a song around.
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I don't think you ever write a song with any intention except the song's about such and such per say ... we've never written a song and thought 'oh it'd be great if in this part this happened in the audience'.
I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.
I love making videos for my music, you can literally do anything. It's like you can write a song about anything; you can also write a video that is the weirdest thing you can relate to the song, and I find that quite cool.
I'm never sure if I'll ever write another song, what the song will be about and if what initially sparked the beginning of a song might complete it.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
I just start singing some words with a tune. I don't ever write a song thinking, Now I'll write a song about... .
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
You can write a song for someone, and then their mom doesn't like it, and then it doesn't get released. It could be the best song that you've ever written. I hated that, because I didn't have any control.
Just take me home where the mood is mellow
And the roses are grown
M&M's are yellow
And the light bulbs around my mirror don't flicker
Everybody gets a nice autograph picture
One for you and one for your sister
Who had to work tonight but is an avid listener
Every song's a favorite song
And mics don't feed back.
To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.
You don't really write a hit song - you write a great song, and then, if the public decides it's a hit, they take over from there. The song becomes its own monster.
If I try to write a song, I will completely fail to write a song. But if I'm just holding my guitar and I just start humming, then I'll have a song in an hour.
I'd spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then, "Nowhere Man" came, words and music, the whole damn thing, as I lay down...Song writing is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed sleep.
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