A Quote by Taryn Simon
I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine patterns or codes to make sense of the unknowns that keep us up at night. I'm also interested in the invisible space between people in communication; the space guided by translation and misinterpretation.
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Part of accepting a role is being interested in the character and part of it is being interested in the movie or what it means and the exploration of it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.
A sense of the unknown has always lured mankind and the greatest of the unknowns of today is outer space. The terrors, the joys and the sense of accomplishment are epitomized in the space program.
Cooperating in something as visible as space exploration and space flight can only improve relations between the two countries because what happens is, you're working on a common project in a very visible light and so, you're motivated to not have conflicts with each other in other areas. And bringing up China is a good example. In the early '90's, China got serious about wanting to launch astronauts into space and they were actually quite successful in launching many communication satellites. They went ahead and in 2003 they launched their first astronaut into space.
Yuri's Night is a world celebration for everyone who's interested in a human presence in space - without concern for politics, the Cold War, countries that do and don't have space programs.
I'm interested in the space between the viewer and the surface of the painting - the forms and the way they work in their surroundings. I'm interested in how they react to a room.
I love to try to understand first principles and be guided by that. But then, enrich them, because they won't last forever, just like everybody thought Newton had all the answers. And you probably read that, in the last of the 19th century, Harvard and others were discouraging people from going into physics because we have all the answers. And right after that, of course - we have - all this stuff is thrown out the window. And now we have whole new answers.
We have this yearning to know the answers to the big questions about space and why we're here; we can't evolve fast enough to figure these answers out on our own, but we can do it through artificial intelligence. But there's also some very scary downsides that could come if we don't put the right safety precautions in there.
With nonfiction, I had to learn how to be a clear communicator, but it was also a relief to be able to articulate some of my political ideas and beliefs. I also try to do that in my fiction, but I'm more interested in asking questions that lead to more questions, mysteries that lead to more mysteries, rather than immediate answers and solutions.
On every front there are clear answers out there that can make this country stronger, but we're going to break through the fear and the frustration people are feeling. Our job is to make sure that even as we make progress, that we are also giving people a sense of hope and vision for the future.
I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
It is possible to make buildings by stringing together patterns, in a rather loose way. A building made like this, is an assembly of patterns. It is not dense. It is not profound. But it is also possible to put patterns together in such a way that many patterns overlap in the same physical space: the building is very dense; it has many meanings captured in a small space; and through this density, it becomes profound.
I don't want to make a comfortable film. I'm not interested in that. I'm not interested in answering people's questions; I'm interested in posing questions. I'm interested in sparking a conversation between two people about what something means. That's enough for me, as a writer and as a director.
In the paintings I was always interested in taking elements of space and the reality that we know and dissolving it into patterns.
The answers we seek aren't always the answers we want, are they? But knowing the truth is what helps us sleep at night.
People try to make sense of things, and if they don’t know the answers, they make them up,because for some, a wrong answer is better than none.
I don't speak any languages well enough to make an expert assessment on writing in translation, but since I'm interested in awkwardness in prose, I find I like the way translated texts can sometimes acquire awkwardness in the process of translation. There's a discordance translation can create which I think is sometimes seen as a weakness but which I think can be a really interesting aspect of the text.
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