A Quote by Tasha Alexander
The Heretic Queen is historical fiction at its best. Michelle Moran seamlessly incorporates accurate details into a story full of suspense, intrigue, and tenderness that's impossible to put down until you've reached the last page. An absolute triumph!
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VOID is filled with intrigue, suspense, and smoldering desire. This story will keep you turning the page until the very end.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
History meets romance meets suspense! Compelling, original and wildly romantic, Beatriz Williams’ prose is stunning and the plot edge-of-your-seat gripping. OVERSEAS is an absolute triumph—I loved every page.
I have rarely read a more wonderful book than To Win Her Favor by Tamera Alexander. Rich with historical detail and fully developed characters, this novel held me spellbound until the last page. If you read one historical novel this year, make it To Win Her Favor. It will linger with you long after the last page.
I supposed this was one reason why people got married, to make a fiction that was tellable. It wasn’t just movies that couldn’t contain the full cast of characters — it was us. We had to winnow life down so we knew where to put our tenderness and attention; and that was a good, sweet thing. But together or alone, we were still embedded in a kaleidoscope, ruthlessly varied and continuous, until the end of the end.
My job as an author is to tell the story in the best way possible, to make it flow seamlessly and get the reader to keep turning the page.
It's really important in any historical fiction, I think, to anchor the story in its time. And you do that by weaving in those details, by, believe it or not, by the plumbing.
It's not just what Christian fiction lacks I appreciate - it's what it offers. The variety is vast: contemporary, historical, suspense, mysteries, adventure, young adult, romance, fantasy, science fiction.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
The Windsor monarchy is held in just awe. The whole process of criticism of the personal behaviour of the monarch is put in absolute suspense until about 1977, when it begins again.
Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference.
Do be kind to yourself. Fill pages as quickly as possible; double space, or write on every second line. Regard every new page as a small triumph. Until you get to page 50. Then calm down, and start worrying about the quality. Do feel anxiety - it's the job.
My symphonies would have reached Opus 100 if I had but written them down... Sometimes I am so full of music, and so overflowing with melody, that I find it simply impossible to write down anything.
I think fiction isn't so good at being for or against things in general - the rhetorical argument a short story can make is only actualized by the accretion of particular details, and the specificity of these details renders whatever conclusions the story reaches invalid for wider application.
I've read pretty broadly on the Holocaust - both fiction and non-fiction - and to me, 'The Lost Wife' is one of the best. The horrors of war serve as a backdrop to a love affair that spans a lifetime, and that love story stayed with me long after I put down the book.
One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out.
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